Final post for the night:
Godzilla turned 60 last year, yet this event seems to have been largely unacknowledged by the academic world, despite the appearance of a blockbuster film this past summer. His 50th birthday, however, was commemorated by William Tsutsui's Godzilla on My Mind: Fifty Years of the King of Monsters (2004). The book is both a history of the Godzilla franchise and its popularity as well as a personal account of Tsutsui's own fascination and love for the monster. It is an interesting and insightful book.
GODZILLA ON MY MIND: Fifty Years of the King of Monsters
William Tsutsui
St. Martin's Press
Palgrave Macmillan Trade
October 2004
Trade Paperback
ISBN: 9781403964748
ISBN10: 1403964742
5.60 x 8.45 inches, 256 pages
Includes 24 black-and-white illustrations throughout
$ 18.00
This year, to mark the fiftieth anniversary of his first appearance on the screen, the original, uncut version of Godzilla was released in American theaters to the delight of Sci-Fi and B-Movie fans everywhere. Ever since Godzilla (or, Gojira, as he is known in Japan) crawled out of his radioactive birthplace to cut a swath of destruction through Tokyo, he has claimed a place alongside King Kong and others in the movie monster pantheon. He is the third most recognizable Japanese celebrity in the United States, and his fan base continues to grow as children today prove his enduring appeal. Now, Bill Tsutsui, a life-long fan and historian, takes a light-hearted look at the big, green, radioactive lizard, revealing how he was born and how he became a megastar. With humorous anecdotes, Godzilla on My Mind explores his lasting cultural impact on the world. This book is sure to be welcomed by pop culture enthusiasts, fans, and historians alike.
Popular Preternaturaliana was brought to life in May 2013 and serves as the official site of the Monsters & the Monstrous Area of NEPCA. We are sponsored by the Northeast Alliance for Scholarship on the Fantastic and hosted by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture. We hope to provide a resource for further study and debate of the preternatural wherever, whenever, and however it may appear.
Tuesday, January 27, 2015
Reading List: Godzilla on My Mind
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Reading List: TV Horror
Also of definite interest to Monster Studies is the very recent work TV Horror: Investigating the Darker Side of the Small Screen (2013) by Lorna Jewett and Stacy Abbott. The two authors are both experts in monstrous media, and their team-up is a must read for anyone interested in monsters on the small screen and offers a great primer on how television has made use of monsters and other motifs of horror. It is a great book, but it frequently left me wanting more. Aside from the opening chapter, their survey is thematic rather than chronological, and I often wanted to know the bigger picture connecting everything together. Similarly, their discussion is usually limited to a small number of texts, and one wonders how other similar works might fit into their schema. These thoughts aside, the book is well-worth a read and will no doubt open many avenues for further research.
Lorna Jowett (author), Stacey Abbott (author)
Imprint: I.B.Tauris
Publisher: I.B.Tauris & Co Ltd
Series: Investigating Cult TV Series
Hardback £62.00
ISBN: 9781848856172
Publication Date: 18 Dec 2012
Number of Pages: 256
Height: 216
Width: 134
Paperback £14.99
ISBN: 9781848856189
Publication Date: 18 Dec 2012
Number of Pages: 256
Height: 216
Width: 134
Horror is a universally popular, pervasive TV genre, with shows like True Blood, Being Human, The Walking Dead and American Horror Story making a bloody splash across our television screens. This complete, utterly accessible, sometimes scary new book is the definitive work on TV horror. It shows how this most adaptable of genres has continued to be a part of the broadcast landscape, unsettling audiences and pushing the boundaries of acceptability. The authors demonstrate how TV Horror continues to provoke and terrify audiences by bringing the monstrous and the supernatural into the home, whether through adaptations of Stephen King and classic horror novels, or by reworking the gothic and surrealism in Twin Peaks and Carnivale. They uncover horror in mainstream television from procedural dramas to children's television and, through close analysis of landmark TV auteurs including Rod Serling, Nigel Kneale, Dan Curtis and Stephen Moffat, together with case studies of such shows as Dark Shadows, Dexter, Pushing Daisies, Torchwood, and Supernatural, they explore its evolution on television.
This book is a must-have for those studying TV Genre as well as for anyone with a taste for the gruesome and the macabre.
Contents:
Introduction: Horror Begins at Home
Chapter 1 | The TV in TV Horror: Production and Broadcast Contexts
Chapter 2 |Mainstreaming Horror
Chapter 3 | Shaping Horror: From Single Play to Serial Drama
Chapter 4 | Adaptation: Translating Horror Tales
Chapter 5 | The Horror Auteur
Chapter 6 | Revising the Gothic
Chapter 7 | The Excess of TV Horror
Chapter 8 | Horror, Art and Disruption
Chapter 9 | TV as Horror
Chapter 10 | The Monster in Our Living Room: From Barnabas Collins to Dexter Morgan
Conclusion: The Road So Far
Authors:
Lorna Jowett is a reader in Television Studies at the University of Northampton, UK, where she teaches some of her favourite things, including horror, science fiction, and television, sometimes all at once. Her monograph, Sex and the Slayer: A Gender Studies Primer for the Buffy Fan, was published in 2005 and recent publications cover Angel, Supernatural, Pushing Daisies and representation in cult television.
Stacey Abbott is a reader in Film and Television Studies at the University of Roehampton and is the author of Celluloid Vampires (2007) and the editor of The Cult TV Book (I.B.Tauris, 2010). Recent publications cover many of her favourite television programmes, including Angel, Alias, Supernatural, Dexter, True Blood and Torchwood. She is the general editor for the Investigating Cult TV Series at I.B.Tauris.
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Reading List: Cambridge Companion to Mary Shelley
Three posts for the new year on suggested reading for Monster Studies. The first up is The Cambridge Companion to Mary Shelley (2003) edited by Esther Schor. The collection offers a complete look at Shelley's writings, and I learned a lot about her in reading the various essays.
The Cambridge Companion to Mary Shelley
Part of Cambridge Companions to Literature
EDITOR: Esther Schor
DATE PUBLISHED: January 2004
PaperbackISBN: 9780521007702
Well-known scholars review Mary Shelley's work in several contexts (literary history, aesthetic and literary culture, the legacies of her parents) and also analyze her most famous work-- Frankenstein. The contributors also examine Shelley as a biographer, cultural critic, and travel writer. The text is supplemented by a chronology, guide to further reading and select filmography.
Contents:
Chronology
Preface
Part I. 'The Author of Frankenstein':
1. Making a 'monster': an introduction to Frankenstein Anne K. Mellor
2. Frankenstein, Matilda, and the legacies of Godwin and Wollstonecraft Pamela Clemit
3. Frankenstein, feminism, and literary theory Diane Long Hoeveler
4. Frankenstein on Film Esther Schor
5. Frankenstein's futurity: from replicants to robotics Jay Clayton
Part II. Fictions and Myths:
6. Valperga Stuart Curran
7. The last man Kari E. Lokke
8. Historical novelist Deidre Lynch
9. Falkner and other fictions Kate Ferguson Ellis
10. Stories for the Keepsake Charlotte Sussman
11. Proserpine and Midas Judith Pascoe
Part III. Professional Personae:
12. Mary Shelley, editor Susan J. Wolfson
13. Letters: the public/private self Betty T. Bennett
14. Mary Shelley as biographer Greg Kucich
15. Mary Shelley's travel writing Jeanne Moskal
16. Mary Shelley as cultural critic Timothy Morton
Further reading
Selected filmography.
The Cambridge Companion to Mary Shelley
Part of Cambridge Companions to Literature
EDITOR: Esther Schor
DATE PUBLISHED: January 2004
PaperbackISBN: 9780521007702
Well-known scholars review Mary Shelley's work in several contexts (literary history, aesthetic and literary culture, the legacies of her parents) and also analyze her most famous work-- Frankenstein. The contributors also examine Shelley as a biographer, cultural critic, and travel writer. The text is supplemented by a chronology, guide to further reading and select filmography.
Contents:
Chronology
Preface
Part I. 'The Author of Frankenstein':
1. Making a 'monster': an introduction to Frankenstein Anne K. Mellor
2. Frankenstein, Matilda, and the legacies of Godwin and Wollstonecraft Pamela Clemit
3. Frankenstein, feminism, and literary theory Diane Long Hoeveler
4. Frankenstein on Film Esther Schor
5. Frankenstein's futurity: from replicants to robotics Jay Clayton
Part II. Fictions and Myths:
6. Valperga Stuart Curran
7. The last man Kari E. Lokke
8. Historical novelist Deidre Lynch
9. Falkner and other fictions Kate Ferguson Ellis
10. Stories for the Keepsake Charlotte Sussman
11. Proserpine and Midas Judith Pascoe
Part III. Professional Personae:
12. Mary Shelley, editor Susan J. Wolfson
13. Letters: the public/private self Betty T. Bennett
14. Mary Shelley as biographer Greg Kucich
15. Mary Shelley's travel writing Jeanne Moskal
16. Mary Shelley as cultural critic Timothy Morton
Further reading
Selected filmography.
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