CFP Things That Go Bump in the North: Canadian Horror Media (7/31/2018)

Seems its a good time to be studying monsters. Here's another interesting call.


Things That Go Bump in the North: Canadian Horror Media
https://call-for-papers.sas.upenn.edu/cfp/2018/06/03/things-that-go-bump-in-the-north-canadian-horror-media

deadline for submissions: July 31, 2018

full name / name of organization: UOIT

contact email: andrea.braithwaite@uoit.ca



Things That Go Bump in the North: Canadian Horror Media


Horror stories speak of our fears. In doing so, horror stories also speak of our everyday, our “normal,” as this ordinariness is quickly thrown into disarray. Things That Go Bump in the North will look at Canadian horror across media – from fiction, film, and television to games, graphic novels, and web series. This edited collection considers what Canadian horror texts can tell us about Canadian culture, media, history, and politics. Things That Go Bump in the North aims to see horror stories as stories about nation, as sites for critical reflection on the meanings and uses of “Canada” in this genre – and what we are terrified to lose, or perhaps keep.


This collection deliberately uses “Canadian” and of “horror” loosely in order to more fully explore the cultural work of horror stories. By “Canadian,” we seek texts that are by, in, and/or about Canada or Canadians; “horror” includes inflections like the gothic and the grotesque, the silly and the supernatural. We encourage diverse submissions from a range of critical approaches and research methods; we are particularly excited about work that addresses Indigenous, diasporic, and other underrepresented productions and perspectives.


Topics may include and are not limited to:

• A specific creator or creative team
• A singular media form, text, or series
• Adaptations and transformations
• Generic hybrids
• Regional or community-specific horror stories
• Studies of fans, audiences, and reception contexts
• Historical horror tales and texts
• Co-productions and international ventures
• Alternate histories and horrifying futures
• Industry and/or policy analysis
• Transmedia texts and storytelling
• True crime texts

Proposals of not more than 250 words will be due by July 31 2018. Final essays of approximately 6000-8000 words, including all notes and references in Chicago author-date style will be due by April 30 2019. Please direct inquiries and proposals to: andrea.braithwaite@uoit.ca and p.greenhill@uwinnipeg.ca.

CFP Theorizing Zombiism: Toward a Critical Theory Framework Conference (9/1/2018; Dublin 7/25-27/2019)

Theorizing Zombiism: Toward a Critical Theory Framework
https://call-for-papers.sas.upenn.edu/cfp/2018/04/13/theorizing-zombiism-toward-a-critical-theory-framework

deadline for submissions: September 1, 2018

full name / name of organization: University College Dublin, Ireland

contact email: theorizingzombiism@gmail.com



Theorizing Zombiism: Toward a Critical Theory Framework

University College Dublin

UCD Humanities Institute

25-27 July 2019


The rising academic interest in the zombie as an allegory for cultural and social analysis is spanning disciplines including, humanities, anthropology, economics, and political science. The zombie has been used as a metaphor for economic policy, political administrations, and cultural critique through various theoretical frameworks. The zombie has been examined as a metaphor for capitalism, geopolitics, globalism, neo-liberal markets, and even equating Zombiism to restrictive aspects of academia.


The zombie as a cultural figure has its beginnings in allegorical folk tales related to the experience of the Haitian slave. Roger Lockhurst, Zombies: A Cultural History, examines these folk tales concerned with the horrific existence of slavery as told through the enigmatic zombi, which was quickly assimilated into western film and pulp fiction. Early films such as White Zombie, mark the induction of the savage zombies into western culture. George A. Romero transformed the zombie narrative into a survival story reflecting aspects of human society. This long standing tradition of the zombie genre is the basis for the successful series The Walking Dead. However, the rise of popular forms of the Zombie narrative, I, Zombie and the Netflix Original Santa Clarita Diet shifts the focus to the first person experience of the Zombie.


The evolution of the zombie narrative in both culture and academics indicates its adaptability and viability as a distinct framework for critical theory. This conference aims to investigate the possibility of developing a singular theoretical framework to evaluate culture and society through the zombie narrative trope. Contributors are encouraged to provide discipline specific, and interdisciplinary, examinations of the zombie with the purpose of formulating an overall theoretical structure of Zombiism.


Potential Topics both discipline specific and non-discipline specific, but not limited to:

• Nationalism through the zombie narrative films: Rec (Spain), Le Horde (France), Cockneys vs Zombies (England), Dead Meat (Ireland), Ravenous (Canada), etc.
• Zombie phenomenology/philosophy/phsychoanalysis
• Globalization, Refugees, and Migration.
• Pedagogical Zombiism.
• Gender and the Undead.
• Zombies in Popular Culture: Re-evaluating the function of horror in society.
• Expanding Praxis: Evaluating the expanding Zombie trope into other art forms and fields.
• The Zombification of History: Re-telling historical events through Zombiism and other horror tropes (Abraham Lincoln: Vampire Hunter, etc).
• Undead digital objects and issues of digital curation/Undead archival objects.
• Legal Zombiism: Law and Legislation that refuses to die.
• Ecocritcal Zombiism.
• Science/Science Fiction: The science of Zombiism/The Zombification of science.
• Zombiism and visual culture and art history.

Send abstracts of 300 words for consideration to theorizingzombiism@gmail.com by 1 Sept, 2018.

Website: https://theorizingzombiism.wordpress.com

Conference organizers: Scott Hamilton (UCD), Conor Heffernan (UCD)