Saturday, February 11, 2023

CFP Romancing the Gothic Conference 2023 – The Supernatural and Witchcraft in belief, practice and depiction (3/31/2023; 8/26-27/2023)

Romancing the Gothic Conference 2023 – The Supernatural and Witchcraft in belief, practice and depiction


Main site: https://romancingthegothic.com/2022/11/12/romancing-the-gothic-conference-2023-the-supernatural-and-witchcraft-in-belief-practice-and-depiction/.
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In 1848, William Harrison Ainsworth published his novel The Lancashire Witches based on the real-life witch-trials in Pendle in 1612. Exploring the background of the trials and executions, it was heavily based on Thomas Potts’ Wonderfull Discoverie of Witches in the Countie of Lancashire (1613). 1848 also saw the publication of Catherine Crowe’s The Night-Side of Nature with T. C. Newby. The book purported to unclose something of this ‘night side of nature’ with all its wonders. After all, she tells us, ‘we are encompassed on all sides by wonders, and we can scarcely set our foot upon the ground, without trampling upon some marvellous production that our whole life and all our faculties would not suffice to comprehend.’ The book featured accounts of dreams, wraiths, doubles, ghosts and more. This year, Romancing the Gothic is marking the 175th anniversary of these publications with a conference dedicated to the subjects which lie at the heart of both texts: witchcraft, the supernatural in history, belief, practice and depiction.

We invite individual papers (20 minutes) or panels (3 x 20 minutes) exploring the fictional, factional and factual depiction or discussion of witchcraft and the supernatural from any period. This conference seeks to focus on the changing ways in which practices and beliefs have been understood and depicted as well as mapping the ways in which discourses of witchcraft and of the supernatural have been deployed in different historical, political, theological and social contexts. We welcome papers discussing all traditions of witchcraft and supernatural belief and depiction and would particularly encourage pre-formed panels discussing specific national or cultural traditions.

We welcome papers on topics including:

  • The Night Side of Nature and The Lancashire Witches
  • The wider work of William Harrison Ainsworth and Catherine Crowe
  • The Lancashire ‘witches’
  • The depiction of witches in fiction, film, video games etc.
  • The depiction of witch trials
  • Histories of persecution
  • Factual and factional writing on the supernatural
  • Occult writers
  • The depiction of the supernatural in fiction and film
  • Ghost-hunting (historical or contemporary)
  • Ghost stories
  • Social histories of the ghost
  • Real ghosts and hauntings
  • Supernatural typologies
  • Queering the Supernatural
  • Changing theologies of the supernatural
  • Brujeria and its depiction in contemporary media
  • Fear and the supernatural
  • Healing and the supernatural
  • Histories of ghost (and other supernatural) belief
  • Supernatural dreaming in fiction and fact
  • Changing theologies of the supernatural
  • Internet subcultures related to witchcraft and the supernatural



The conference will be held entirely online on 26th-27th August 2023. We will be accepting abstracts until March 31st 2023. Please send abstracts of 250-300 words and a short bio. We accept and welcome papers from academics and non-academics, including practitioners. We also welcome pitches for ‘workshops’ or interactive activities. For previous conferences these have included: 18th century dance lessons, cooking with Dracula demonstrations, and creative writing workshops. Please send all pitches to the conference organiser Dr Sam Hirst (University of Liverpool/Oxford Brookes University) at sam@romancingthegothic.com.

To ensure the conference is accessible to the maximum number of people, there is no fee for presenters. Everyone delivering a paper or workshop will be offered a small honorarium. The event is online, using subtitling and will be recorded so that those unable to attend at various times (for example, due to timezones) are able to access all the events. Please contact me with any questions or requirements related to accessibility at the email address above.

If this is your first conference or you would like support with abstract writing, I will be putting on an online workshop on writing abstracts. Please email me at sam@romancingthegothic.com if you would like to attend.




Thursday, February 2, 2023

CFP 2023 Festival of Monsters (3/1/2023; UC Santa Cruz/Online 10/13-15/2023)

My thanks to the organizers for the heads up on this event. More information is avail;e at the Center's website at https://www.monsterstudies.ucsc.edu/


Call for Proposals: 2023 Festival of Monsters 

The Center for Monster Studies at the University of California, Santa Cruz is an interdisciplinary research, arts, and outreach organization focused on the ways monsters and tropes of monstrosity both perpetuate and contravene forms of social and cultural injustice. Each year we host a Festival of Monsters that brings together scholars, artists, students, and members of the general public to consider these issues.


Our 2023 Festival of Monsters (Oct. 13-15 in beautiful Santa Cruz) includes an academic conference, performances, readings, presentations from monster-makers in theatre, film and television, and events in association with an exhibit at the Santa Cruz Museum of Art and History (MAH) entitled Werewolf Hunters, Jungle Queens, and Space Commandos: The Lost Worlds of Women Comics Artists.


We invite proposals for 20-minute papers or presentations on any aspect of monsters or monster studies. We are particularly interested in work that addresses the following topics: 


  • Women creators of monsters
  • Monsters and misogyny
  • Monsters in comics
  • Monsters and sexual politics from any time period
  • Monsters and queerness


Papers from all disciplines are welcome. Because participants in the Festival include members of the general public as well as people from within the academic community, we ask that proposed papers consider the Festival’s mixed audience. We welcome complex theoretical concepts and scholarly interventions, but please make sure the terms and stakes of your paper are articulated as clearly as possible.  The Festival will include both in-person and online components. 


Please submit 250-word abstracts and 50-word bios to chemers@ucsc.edu and rafox@ucsc.edu by March 1, 2023.