CFP Romancing the Gothic Conference 2023 – The Supernatural and Witchcraft in belief, practice and depiction (3/31/2023; 8/26-27/2023)

Romancing the Gothic Conference 2023 – The Supernatural and Witchcraft in belief, practice and depiction

Main site: https://romancingthegothic.com/2022/11/12/romancing-the-gothic-conference-2023-the-supernatural-and-witchcraft-in-belief-practice-and-depiction/.
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In 1848, William Harrison Ainsworth published his novel The Lancashire Witches based on the real-life witch-trials in Pendle in 1612. Exploring the background of the trials and executions, it was heavily based on Thomas Potts’ Wonderfull Discoverie of Witches in the Countie of Lancashire (1613). 1848 also saw the publication of Catherine Crowe’s The Night-Side of Nature with T. C. Newby. The book purported to unclose something of this ‘night side of nature’ with all its wonders. After all, she tells us, ‘we are encompassed on all sides by wonders, and we can scarcely set our foot upon the ground, without trampling upon some marvellous production that our whole life and all our faculties would not suffice to comprehend.’ The book featured accounts of dreams, wraiths, doubles, ghosts and more. This year, Romancing the Gothic is marking the 175th anniversary of these publications with a conference dedicated to the subjects which lie at the heart of both texts: witchcraft, the supernatural in history, belief, practice and depiction.

We invite individual papers (20 minutes) or panels (3 x 20 minutes) exploring the fictional, factional and factual depiction or discussion of witchcraft and the supernatural from any period. This conference seeks to focus on the changing ways in which practices and beliefs have been understood and depicted as well as mapping the ways in which discourses of witchcraft and of the supernatural have been deployed in different historical, political, theological and social contexts. We welcome papers discussing all traditions of witchcraft and supernatural belief and depiction and would particularly encourage pre-formed panels discussing specific national or cultural traditions.

We welcome papers on topics including:

• The Night Side of Nature and The Lancashire Witches
• The wider work of William Harrison Ainsworth and Catherine Crowe
• The Lancashire ‘witches’
• The depiction of witches in fiction, film, video games etc.
• The depiction of witch trials
• Histories of persecution
• Factual and factional writing on the supernatural
• Occult writers
• The depiction of the supernatural in fiction and film
• Ghost-hunting (historical or contemporary)
• Ghost stories
• Social histories of the ghost
• Real ghosts and hauntings
• Supernatural typologies
• Queering the Supernatural
• Changing theologies of the supernatural
• Brujeria and its depiction in contemporary media
• Fear and the supernatural
• Healing and the supernatural
• Histories of ghost (and other supernatural) belief
• Supernatural dreaming in fiction and fact
• Changing theologies of the supernatural
• Internet subcultures related to witchcraft and the supernatural

The conference will be held entirely online on 26th-27th August 2023. We will be accepting abstracts until March 31st 2023. Please send abstracts of 250-300 words and a short bio. We accept and welcome papers from academics and non-academics, including practitioners. We also welcome pitches for ‘workshops’ or interactive activities. For previous conferences these have included: 18th century dance lessons, cooking with Dracula demonstrations, and creative writing workshops. Please send all pitches to the conference organiser Dr Sam Hirst (University of Liverpool/Oxford Brookes University) at sam@romancingthegothic.com.

To ensure the conference is accessible to the maximum number of people, there is no fee for presenters. Everyone delivering a paper or workshop will be offered a small honorarium. The event is online, using subtitling and will be recorded so that those unable to attend at various times (for example, due to timezones) are able to access all the events. Please contact me with any questions or requirements related to accessibility at the email address above.

If this is your first conference or you would like support with abstract writing, I will be putting on an online workshop on writing abstracts. Please email me at sam@romancingthegothic.com if you would like to attend.

Supernatural Studies Open Calls (Summer/Fall 2020)

An interestng set of calls from the journal Supernatural Studies.

https://www.supernaturalstudies.com/calls-for-papers

Call for Papers, Spring 2021 Special Issue on Disease

Supernatural Studies invites submissions for a special issue, inspired by the current crisis, on supernatural engagements with disease, broadly conceived. We welcome essays that explore this theme through explicitly monstrous tropes, e.g. zombies, vampires, parasitism, haunting, and other uncanny embodiments of sickness and contagion. We also invite investigations of narratives that deploy the supernatural to engage existing cultural “maladies” that infectious diseases routinely expose and exacerbate: e.g., economic precarity, healthcare inequities, media mis/disinformation, science skepticism and denial, environmental challenges, and experiences of alienation. We encourage submissions that explore oral, written, and/or visual texts across time, place, and genre. To be as relevant as possible, this special issue will be published in Spring 2021; for guaranteed consideration, submissions should be sent by 31 October 2020 (since Halloween is canceled anyway).

Supernatural Studies is a peer-reviewed journal that promotes rigorous yet accessible scholarship in the growing field of representations of the supernatural, the speculative, the uncanny, and the weird. The breadth of “the supernatural” as a category creates the potential for interplay among otherwise disparate individual studies that will ideally produce not only new work but also increased dialogue and new directions of scholarly inquiry.

Submissions should be 5,000 to 8,000 words, including notes but excluding Works Cited, and follow the MLA Handbook, 8th ed. (2016); notes should be indicated by superscript Arabic numerals in text and pasted at the end of the article. International submissions should adhere to the conventions of U.S. English spelling, usage, and punctuation. Manuscripts should contain no identifying information, and each submission will undergo blind peer review by at least two readers. Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright. Submissions should be emailed to supernaturalstudies@gmail.com as an attached Microsoft Word file.

General Call for Papers

Supernatural Studies is a peer-reviewed journal that promotes rigorous yet accessible scholarship in the growing field of representations of the supernatural, the speculative, the uncanny, and the weird. The breadth of “the supernatural” as a category creates the potential for interplay among otherwise disparate individual studies that will ideally produce not only new work but also increased dialogue and new directions of scholarly inquiry. To that end, the editorial board welcomes submissions employing any theoretical perspective or methodological approach and engaging with any period and representations including but not limited to those in literature, film, television, video games, and other cultural texts and artifacts.

Submissions should be 5,000 to 8,000 words, including notes but excluding Works Cited, and follow the MLA Handbook, 8th ed. (2016); notes should be indicated by superscript Arabic numerals in text and pasted at the end of the article. International submissions should adhere to the conventions of U.S. English spelling, usage, and punctuation. Manuscripts should contain no identifying information, and each submission will undergo blind peer review by at least two readers. Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright. Submissions should be emailed to supernaturalstudies@gmail.com as an attached Microsoft Word file.

Submissions are accepted on a continuous basis, and those accepted for publication will be placed in the earliest possible issue according to publication schedule and needs.

 

CFP Fantasy, Horror, and the Supernatural (7/19/19; PAMLA 2019)

Please note the impending deadline:

Fantasy, Horror, and the Supernatural
https://call-for-papers.sas.upenn.edu/cfp/2019/07/10/fantasy-horror-and-the-supernatural

deadline for submissions: July 19, 2019
full name / name of organization: Kate Watt / PAMLA
contact email: kate.watt@ucr.edu

From golems to Gollum, ghosts to Ironman, hobbits to succubi, zombies to dopplegangers, the possessed to those who wield the dark arts, the not-human, the almost-human, the was-human, the wants-to-be-human, the beyond-human, and those who use unknown powers to prey on humans have populated human culture and narrative from the beginning. Analysis from any critical perspective, exploring texts drawn from literature, film/TV, graphic novels, manga, comics, visual arts, and elsewhere, is welcome.

Us, Get Out, The Walking Dead, Cthulhu, It, and a wide variety of other texts would be appropriate topics.

Please submit through the PAMLA.org website directly.

PAMLA is in San Diego, November 14-17, 2019.


Last updated July 11, 2019