CFP Special Section: Monstrous New Orleans (6/15/2023; Popular Culture Association South, New Orleans 9/28-30/2023)

Monstrous New Orleans

deadline for submissions:
June 15, 2023

full name / name of organization:
Popular Culture Association South

contact email:
pcavampires@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/05/05/monstrous-new-orleans


New Orleans is known as one of the most haunted cities in the U.S. and as a haven for vampires (thank you, Anne Rice), but there are so many more monsters there than ghosts and vampires. With such a rich tradition of magic and the paranormal, New Orleans dazzles artists and scholars alike, inviting us all into the mysteries. To celebrate the dark depths of the city, PCAS welcomes papers or presentations that explore the monsters and the monstrous that roam the streets and psyches of New Orleans.



To have your proposal/abstract considered for this special session, please submit your proposal/abstract of approximately 250 words to pcavampires@gmail.com



NOTE: In order to be considered for the Special Section: Monstrous New Orleans please follow the instructions above rather than submitting through the PCAS/ ACAS website. Everyone is invited to submit one academic paper and can, in addition, participate in a round-table discussion or creative session. Only those proposals intended for Monstrous New Orleans should be submitted as outlined above; the PCAS/ ACAS website has an online submission form for the General Call.



The conference will be held in New Orleans, Sept. 28-30, 2023.



Last updated May 9, 2023

CFP Edited anthology of Conjure, Hoodoo and Voodoo in African-American Literature (no posted deadline)

Edited anthology of Conjure, Hoodoo and Voodoo in African-American Literature
full name / name of organization: James Mellis/ William Paterson University
contact email: mellisj@wpunj.edu

Articles are sought for a collection of essays on representations of Conjure, Hoodoo and Voodoo in African-American literature. This collection seeks to explore how African-American writers have used, referenced, engaged and disengaged with Conjure, Hoodoo and Voodoo in their writing through various cultural and historical movements.

The primary thread of this study will be an argument that from their initial arrival on American shores, African-American writers have used voodoo and conjuring as a literary trope that has served as a touchstone for religious, political and national identity. By examining slave narratives, novels, poetry and drama, this study will interrogate how African-American authors repeatedly returned to Conjure, Hoodoo and Voodoo as a way to examine their own shifting political and cultural positions in America. I am seeking original essays for a major academic publisher who has accepted the proposed anthology. Some authors that can treated are: Frederick Douglass, Phyllis Wheatley, Henry Bibb, William Wells Brown, Nat Turner, William Grimes, Olaudah Equiano, Charles Chesnutt, George Washington Cable, Langston Hughes, Arna Bontemps, James Weldon Johnson, W.E.B DuBois, Zora Neale Hurston, Rudolph Fisher, Jean Toomer, Richard Wright, Arna Bomtemps, Countee Cullen,Ishmael Reed, Amiri Baraka, Robert Hayden, Toni Morrison, Rainelle Burton, Colson Whitehead, Charles Johnson, August Wilson, Ntzoke Shange, Jewell Parker Rhodes, Gloria Naylor, Darius James, Gayl Jones and Carl Hancock Rux, and others.

Please send proposals of 250-350 words to mellis@wpunj.edu. Please note that an invitation to submit a full essay does not guarantee inclusion in the published volume.


By web submission at 08/20/2015 - 15:03