Showing posts with label H. P. Lovecraft. Show all posts
Showing posts with label H. P. Lovecraft. Show all posts

Wednesday, March 6, 2024

CFP Sixth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research (5/24/2024; Providence, RI 8/15-18.2024)

The Sixth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research

NecronomiCon Providence convention in Providence, RI
15-18 August, 2024
Location: Omni Hotel, Providence – Bristol/Kent Room, 3rd floor

Symposium Chairs: Dr. Elena Tchougounova-Paulson, editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Prof. Dennis P. Quinn 

CALL FOR PRESENTATION ABSTRACTS:

The Dr. Henry Armitage Memorial Scholarship Symposium seeks Lovecraftian and Weird Fiction related research for the NecronomiCon Providence convention. Providence, RI, August 15-18, 2024

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) invites submissions for the upcoming Armitage Symposium, a conference that will be held within the convention. The Symposium is substantially dedicated to the life and works of the Providence-based Weird fiction writer, the father of Cosmic horror, H.P. Lovecraft, but also to his milieu, his literary contemporaries, predecessors and successors in the Weird/horror/Gothic/Neo-Gothic lore. For many decades, Lovecraft’s legacy has been the central topic for challenging discussions, and many prominent scholars have joined in debates, followed by significant textual insights, great literary discoveries, and numerous high-quality academic publications. The Armitage Symposium in 2024 will continue to explore Lovecraft’s works in relation to classic and contemporary Weird fiction, science fiction, other similar genres of horror/Gothic/Neo-Gothic literature, modern philosophy (phenomenology and epistemology), literary theory, linguistics, cultural history and cultural theory, archaeology, ethnography, etc.


Possible topics for 15-minute papers might include:

  • Lovecraft’s influence on the American or, broadly, Western literary canon
  • Lovecraft and Cosmic mythology
  • Lovecraftian Mythos as a cultural phenomenon
  • Lovecraft and religion/mysticism, and race/gender studies
  • Lovecraft and Eurocentrism: origins and complexities
  • Lovecraft’s correspondence as pre-blogging/travelog
  • “Arkham House” and its heritage: further discoveries in its archival history
  • Horror/Supernatural/Gothic fiction: its origins, historical frames and defining terms
  • The works of potent and influential masters such as Dunsany, M.R. James, and Clark Ashton Smith
  • Modern literary and cinematic perspectives in Lovecraftiana and the Supernatural
  • Women in Lovecraftiana/Weird fiction in the past, present, and future
  • Contemporary philosophy of weird, horror, and the supernatural: interpretive approaches

Traditionally, the Armitage Symposium has aimed to foster explorations and disseminations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other fiction writers, historians, art critics, philosophers, archivists, bibliographers of the past and the present. However, all submissions that contribute to interconnecting new linguistic and literary theoretical concepts in academic Lovecraftiana/horror studies are very welcome.

Specifically for the Armitage Symposium, we are particularly interested in submitting works from academics: undergraduates, PhD students, post-graduates, independent scholars, established researchers. Presenters should be prepared to deliver a fifteen to twenty-minute oral presentation, and are invited to submit a manuscript for possible inclusion in the peer-reviewed Lovecraftian Proceedings no. 6.

For consideration, interested scholars should submit an abstract (of around 250-300 words) in Word format along with a short bio (around 100 words) to the symposium chair, Dr Elena Tchougounova-Paulson, at tch.elena15@gmail.com.

The deadline for submissions is May 24, 2024. Early submissions are encouraged.

In addition to these talks, NecronomiCon Providence will also feature numerous traditional panels and presentations, given by many of the top names in Lovecraftian studies and the global Weird Renaissance. For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please, visit our website: necronomicon-providence.com.





About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, 15-18 August 2024. Presenters will deliver fifteen-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2024 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2024.pdf

Thursday, May 18, 2023

New Book: The Medial Afterlives of H.P. Lovecraft: Comic, Film, Podcast, TV, Games

The Medial Afterlives of H. P. Lovecraft: Comic, Film, Podcast, TV, Games


Editors: Tim Lanzendörfer and Max José Dreysse Passos de Carvalho

Palgrave Macmillan, 2023

Available from SpringerLink in print, as an ebook, and as individual chapters.

More details at https://link.springer.com/book/10.1007/978-3-031-13765-5.


This book is the first to sustainedly engage with the whole breadth of adaptations of H.P. Lovecraft


Includes not just film and TV, but also comics, podcasts, video games, and board games


Develops an affordance-based theory of adaptation by recourse to the example of Lovecraft



About this book

Medial Afterlives of H.P. Lovecraft brings together essays on the theory and practice of adapting H.P. Lovecraft’s fiction and the Lovecraftian. It draws on recent adaptation theory as well as broader discourses around media affordances to give an overview over the presence of Lovecraft in contemporary media as well as the importance of contemporary media in shaping what we take Lovecraft’s legacy to be. Discussing a wide array of medial forms, from film and TV to comics, podcasts, and video and board games, and bringing together an international group of scholars, the volume analyzes individual instances of adaptation as well as the larger concern of what it is possible to learn about adaptation from the example of H.P. Lovecraft, and how we construct Lovecraft and the Lovecraftian today in adaptation. Medial Afterlives of H.P. Lovecraft is focused on an academic audience, but it will nonetheless hold interest for all readers interested in Lovecraft today.


Contents


Front Matter

Pages i-xxvi



Theory

Lovecraft, the Lovecraftian, and Adaptation: Problems of Philosophy and Practice

Max José Dreysse Passos de Carvalho, Tim Lanzendörfer

Pages 3-25

Disseminating Lovecraft: The Proliferation of Unsanctioned Derivative Works in the Absence of an Operable Copyright Monopoly

Nathaniel R. Wallace

Pages 27-44

When Adaptation Precedes the Texts: The Spread of Lovecraftian Horror in Thailand

Latthapol Khachonkitkosol

Pages 45-60



Comics

Conveying Cosmicism: Visual Interpretations of Lovecraft

Rebecca Janicker

Pages 63-75

The Problematic of Providence: Adaptation as a Process of Individuation

Per Israelson

Pages 77-99

Twice Told Tale: Examining Comics Adaptations of At the Mountains of Madness

Tom Shapira

Pages 101-119



Film and TV

Image, Insoluble: Filming the Cosmic in The Colour Out of Space

Shrabani Basu, Dibyakusum Ray

Pages 123-137

The Threshold of Horror: Indeterminate Space, Place and the Material in Film Adaptations of Lovecraft’s The Colour Out of Space (1927)

Gerard Gibson

Pages 139-158

Cthulhoo-Dooby-Doo!: The Re-animation of Lovecraft (and Racism) Through Subcultural Capital

Christina M. Knopf

Pages 159-172

Dispatches from Carcosa: Murder, Redemption and Reincarnating the Gothic in HBO’s True Detective

Patrick J. Lang

Pages 173-189

Lovecraft Country: Horror, Race, and the Dark Other

Dan Hassler-Forest

Pages 191-204

The Lovecraftian Festive Hoax: Readers Between Reality and Fiction

Valentino Paccosi

Pages 205-220



Podcasts

“In My Tortured Ears There Sounds Unceasingly a Nightmare”: H. P. Lovecraft and Horror Audio

Richard J. Hand

Pages 223-240

The Lovecraft Investigations as Mythos Metatext

Justin Mullis

Pages 241-259



Video Games

Head Games: Adapting Lovecraft Beyond Survival Horror

Kevin M. Flanagan

Pages 263-277

The Crisis of Third Modernity: Video Game Adaptation of H.P. Lovecraft in The Sinking City

Erada Adel Almutairi, Tim Lanzendörfer

Pages 279-293

Authorship Discourse and Lovecraftian Video Games

Serenay Günal, Colleen Kennedy-Karpat

Pages 295-314



Analog Games

Challenging the Expressive Power of Board Games: Adapting H.P. Lovecraft in Arkham Horror and Mountains of Madness

Torben Quasdorf

Pages 317-337

Playing the Race Card: Lovecraftian Play Spaces and Tentacular Sympoiesis in the Arkham Horror Board Game

Steffen Wöll, Amelie Rieß

Pages 339-357



Back Matter

Pages 359-367



About the editors

Tim Lanzendörfer is research assistant professor of American Studies at Goethe University, Frankfurt, Germany. He has published widely in contemporary literature and media. His most recent books are the forthcoming Utopian Pasts and Futures in the Contemporary American Novel (2023) and the Routledge Companion to the British and North American Literary Magazine (2021).

Max José Dreysse Passos do Carvalho is a graduate student of American Studies at Goethe University, Frankfurt, Germany. His research and forthcoming publications concentrates on game studies and philosophy.


Friday, October 7, 2022

Applications for 2023 S.T. Joshi Endowed Research Fellowship (Providence, RI 11/1/2022)

Posted from the SFRA-List


The John Hay Library at Brown University invites applications for its 2023 S.T. Joshi Endowed Research Fellowship for research relating to H.P. Lovecraft, his associates, and literary heirs. The application deadline is November 1, 2022.


The Hay Library is home to the largest collection of H. P. Lovecraft materials in the world, and also holds the archives of Clark Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog magazine, Caitlín Kiernan, and others. The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library (projects do not need to relate to Lovecraft directly). The Fellowship provides a monthly stipend of $2,500 for up to two months of research at the library during the 2023 calendar year. The fellowship is open to students, faculty, librarians, artists, and independent scholars.


For more information and to apply, please visit https://library.brown.edu/joshi/.


Please direct questions to Heather Cole, Curator, Literary & Popular Culture Collections, heather_cole@brown.edu.

Thursday, July 7, 2022

Lovecraft Annual for 2021

I lost track of these. I'm not sure when was the last post.


Lovecraft Annual No. 15 [2021]


Details and available for purchase at Hippocampus Press: https://www.hippocampuspress.com/journals/lovecraft-annual/lovecraft-annual-no.-15-2021.

New Scholarship on H. P. Lovecraft Edited by S. T. Joshi
ISSN 1935-6102
ISBN 9781614983446
August 2021
270 pp 

$15.00



This fifteenth issue of The Lovecraft Annual features cutting-edge scholarship on the life, work, and thought of H. P. Lovecraft. Among the biographical articles, we find Horace A. Smith examining aspects of Lovecraft’s early interest in astronomy; Ken Faig, Jr.’s study of Lovecraft’s relations with Irish friends and relatives; Marc Beherec’s analysis of the church in Red Hook that played a critical role in “The Horror at Red Hook”; and Brendan Whyte’s discussion of the appearance of a 1905 letter by Lovecraft in a New York newspaper. Among the articles on Lovecraft’s work, Duncan Norris writes articles on Lovecraft’s disdain for money in his stories and a comprehensive survey of recent films that have drawn upon Lovecraft; James Goho studies the nature of the title character of The Case of Charles Dexter Ward; and Christopher Cuccia closely analyzes John Milton’s influence on Lovecraft. A section of reviews examines three recent editions of Lovecraft’s letters.





TABLE OF CONTENTS

The Acolyte of the Abyss: or, In the Long Shadow of the House at 454 Angell Street ....... Manuel Pérez-Campos

Astronomy with Lovecraft’s First Telescope ....... Horace A. Smith

The Detestation of Mammon in Lovecraft ....... Duncan Norris

Lovecraft and the Irish ....... Ken Faig, Jr.

Following The Ancient Track ....... David E. Schultz

Lovecraft’s Presentiment: Taphonomy as a Narrative and Horrific Element in the Tales of H. P. Lovecraft ....... Raphaël Hanon

The Promise of Cosmic Revelations: How the Landscape of Vermont Transforms “The Whisperer in Darkness”....... Dylan Henderson

H. P. Lovecraft’s First Appearance in Print Reconsidered ....... Brendan Whyte

New England Fallen ....... H. P. Lovecraft

A Bridge through Chaos: The Miltonic in “Dagon” and Lovecraft’s Greater Cthulhu Mythos ....... Christopher Cuccia

The Church That Inspired “The Horror at Red Hook” and the Fall of the House of Suydam ....... Marc Beherec

A Portrait of Charles Dexter Ward as a Haunted Young Man ....... James Goho

The Reverberation of Echoes: Lovecraft in Twenty-First-Century Cinema ....... Duncan Norris

How to Read Lovecraft ....... A Column by Steven J. Mariconda

Reviews 



Tuesday, June 14, 2022

Last Call Armitage 2022 (6/17/2022; Providence 8/19-21/2022)

The Armitage Symposium

source: http://necronomicon-providence.com/the-armitage-symposium/


The Fifth quasi-Biennial

Dr. Henry Armitage Memorial Scholarship Symposium

of New Weird Fiction and Lovecraft-Related Research

NecronomiCon Providence convention in Providence, RI

19-21 August, 2022

Location: Omni Hotel, Providence


**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!**

Symposium Chair: Prof. Dennis P. Quinn, Cal Poly Pomona, CA and Editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Elena Tchougounova-Paulson

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!**

 

About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, August 18-21, 2022. Presenters will deliver fifteen to twenty-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!** 

 

Saturday, April 2, 2022

Out Now: Lovecraftian Proceedings No. 4

Lovecraftian Proceedings No. 4 


Edited by Dennis P. Quinn and Elena Tchougounova-Paulson 


Purchase from Hippocampus Press: https://www.hippocampuspress.com/journals/lovecraftian-proceedings/lovecraftian-proceedings-no.-4



ISBN 9781614983613


February 2022

304 pp 

$20.00

Cover art by Pete Von Sholly




This fourth volume of selected papers from the Dr. Henry M. Armitage Memorial Scholarship Symposium, delivered at NecronomiCon Providence 2019, contains an array of groundbreaking articles on Lovecraft’s life, work, and thought. Papers by Kyle Gamache and Thomas Schwaiger, focus on Lovecraft’s relations with his brilliant young friend R. H. Barlow, whose story “The Night Ocean” is one of the finest weird tales of its era. Elena Tchougounova-Paulson and Christian Roy address connections between Lovecraft’s work and that of the philosophers Alexander Blok and Georges Bataille.

Benjamin Davis studies contemporary views of Tibet in reference to Lovecraft’s citation of that obscure realm. Heather Poirier traces the relationship of Lovecraft’s work with the Southern literature of his time, while Jeremiah Dylan Cook probes the influence of Nathaniel Hawthorne and Herbert S. Gorman on “The Shadow over Innsmouth.” Other papers discuss the Necronomicon, such seminal tales as “The Outsider,” “Pickman’s Model,” “The Colour out of Space,” and At the Mountains of Madness, and other vital topics. In all, the essays in this volume constitute cutting-edge scholarship on one of the most provocative authors of his time.



TABLE OF CONTENTS

Foreword

Niels-Viggo S. Hobbs



Introduction: Haunting Phantasms—A Bookworm Edition

Elena Tchougounova-Paulson and Dennis P. Quinn



Zahhak Beside Cthulhu: Philosophizing with Monsters in Persian Mythology and American Horror

Robert Landau Ames



The Influence of The Great Game on the Writings of H. P. Lovecraft: The Opening of Tibet and the Creation of Leng

Benjamin Davis



The Necronomicon Yalensis and Lovecraft in Connecticut

Edward Guimont



Lovecraft’s Archive: Materiality and Readership in Lovecraft’s Fiction

Cole Donovan



The Outsiders: Mapping Lovecraft’s Loathing

Paul Neimann



The Ebb of Sanity: “The Night Ocean” and Bipolar Disorder

Kyle Gamache



The Weird Within the Real: Common Territories in Lovecraft’s Fiction and Southern Literature

Heather Poirier



A Lover of Past Phantoms: Lovecraftian Reflections in R. H. Barlow’s Life and Work

Thomas Schwaiger



American Frankensteins: George Porter and George Poe, and Their Attempts to Reanimate the Dead in New England

Michael J. Bielawa



Encounters in the Mountains of Madness: H. P. Lovecraft and Werner Herzog at the World’s End

Lúcio Reis-Filho, Laura Cánepa, and Jamer de Mello



Fear and (Non) Fiction: Agrarian Anxiety in “The Colour out of Space”

Antonio Alejandro Barroso



Nathaniel Hawthorne and Herbert S. Gorman’s Shadows over Innsmouth

Jeremiah Dylan Cook



Neo-Gothic Decadence as a Pervasive Challenge in the Works of H. P. Lovecraft, Arthur Machen, and Alexander Blok

Elena Tchougounova-Paulson



Lovecraft’s Accursed Share in Bataille’s General Economy: Antiutilitarian Cosmologies and Anti-capitalist Social Visions

Christian Roy



A Sequence of Paintings So Horrible: Montage in Visual Adaptations of “Pickman’s Model

Nathaniel R. Wallace



Contributors



Appendix: Abstracts from the Fourth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research Providence, RI, 23–25 August 2019

Dennis P. Quinn, Chair



Index

Tuesday, March 1, 2022

CFP Fifth quasi-Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research (6/3/22; Providence, RI 8/19-21/22)

The Armitage Symposium 

Source: http://necronomicon-providence.com/the-armitage-symposium/


The Fifth quasi-Biennial

Dr. Henry Armitage Memorial Scholarship Symposium

of New Weird Fiction and Lovecraft-Related Research


NecronomiCon Providence convention in Providence, RI

19-21 August, 2022


Location: Omni Hotel, Providence

Symposium Chair: Prof. Dennis P. Quinn, Cal Poly Pomona, CA and Editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Elena Tchougounova-Paulson

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

 
 

About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, August 18-21, 2022. Presenters will deliver fifteen to twenty-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

 

Tuesday, October 19, 2021

NEPCA Monsters Area 2021 Sessions

NEPCA Monsters Area 2021

Northeast Popular Culture Association Annual Conference October 21-23, 2021

Current Draft - Updated 10/13/2021

(registration information and full schedule at https://nepca.blog/conference/)

 

THURSDAY, 10/21

SESSION #1 (3:30-4:15 PM): Monsters and the Monstrous 1

Monsters on Screen (Session Chair: Angela Whyland)

The Hillbilly Image in Television and Film - Whitney Snow, Midwestern State University

Whitney Snow, Associate Professor, specializes in the Twentieth-Century South. Her main interests are agricultural, environmental, and labor history although she does have a penchant for pop culture. After earning her Bachelor of Arts degree and Master of Arts degree from the University of Alabama in Huntsville, she received her doctorate from Mississippi State University. Her work has appeared in peer-reviewed journals ranging from The Alabama Review and The Southwestern Historical Quarterly to Textile: The Journal of Cloth and Culture and Forests, Trees and Livelihoods. She is the author of the book Cathedral Caverns (Arcadia, 2017) and co-author of both Lake Guntersville (Arcadia, 2018) and Guntersville (Arcadia, 2021). She edited The Civil War Diaries of Cassie Fennell: A Young Confederate Woman in North Alabama, 1859-1865 (University of Tennessee Press, 2020) and Alabama Bill and the Bowery (Subury, 2020). She is currently editing the World War II diaries of sailor Carlos McGowin.

Viewing the A Nightmare on Elm Street Films as Action Movies - Shane Hesketh, Bowling Green State University

Shane Hesketh graduated with his Bachelor's in Humanities with a concentration in Film Studies from Florida State University and is now pursuing his Master's in Popular Culture from Bowling Green State University. His research interests include the slasher subgenre, the James Bond series, Buffy the Vampire Slayer, and comparative studies within major film franchises. His future plans include pursuing his PhD in a Film Studies related field and teaching as a career.

“Get Away, You Idiots!” Imperial Terror in The Thing - Bridget Keown, University of Pittsburgh

Dr. Keown is a lecturer in the Gender, Sexuality, and Women Studies Program at the University of Pittsburgh, where she is also a member of the interdisciplinary Horror Studies Working Group. Her research focuses on the experience and portrayal of gendered trauma in the 20th century.

 

SESSION #2 (4:30-5:45 PM): Monsters and the Monstrous 2

Intersectionality in Horror (Panel Presentation) (Session Chair: Angela Whyland)

Disabled Slasher Villains - Kathryn Heale, Clark University

Kathryn Healey is a sophomore at Clark University planning to double major in Psychology and Philosophy. She takes great interest in the unusual and the macabre, and frequently consumes horror media. She is a strong believer in thinking critically about the media we consume and uplifting formerly silenced voices in art.

Lesbians as Villains in Horror - Shay Sotelo, Clark University

Shay Sotelo is an undergraduate student in Psychology and Women and Gender studies at Clark University who is passionate about gender, sex, and sexuality issues and how these affect mental health on an individual and societal scale. She is also enthusiastic about watching horror and thriller films and analyzing meaning through the lenses of psychology, queer studies, and gender studies.

Transgender and Gender Nonconforming Representation in Horror - Mia Swartz, Clark University

Mia Swartz is a senior at Clark University double majoring in French & Francophone Studies and Art History. She is a Co-Director and President of Choices, Clark’s on-campus peer sexual health resource that strives to provide the campus community with sexual health information, safer sex supplies, and education regarding informed choices about sex and healthy relationships. Aside from sexual health, she is passionate about art, education, and appreciating the horror genre through a critical lens.

Sexploitation and Trashy Horror - Haley Reash-Henz, Clark University

Haley Reash-Henz (they/them/theirs) is an undergraduate student at Clark University majoring in Women's and Gender Studies. They have focused their studies on reproductive healthcare, sexual liberation and politics, and queer theory. As an avid lover of all things scary, campy, and sexy, Haley delves into their favorite sources of popular culture by applying queer, feminist, anti-racist theories to examine how we shape and are shaped by the popular culture we love and hate so much.

 

SESSION #3 (6:30-7:15 PM): Monsters and the Monstrous 3

Mutants & Miscreants (Panel Presentation) (Session Chair: Michael Torregrossa)

The Color of Evil: Decoding Disney Through the Monstering and Racialization of Villains - Natalya Loughrin, Clark University

Natalya Loughrin is Swiss/American and moved to Massachusetts to attend Clark University. She is currently a Sophomore majoring in Sociology, minoring in History with plans to go into the criminological field.

It's Alive!: How War-time Horror Expressed & Exploits Inequality - Mallory Trainor, Clark University

Mallory Trainor is a junior at Clark University. She is currently majoring in International Development and Social Change. This will be her second year presenting at NEPCA.

Loosening the Flesh: Aging & Dementia in Horror - Jacqueline Morrill, Clark University

Jacqueline Morrill is a writing professor at Clark University and Worcester State University. She holds an MFA in poetry from Sarah Lawrence College; her course load focuses specifically on the horror genre of film and literature.

 

SESSION #4 (7:30-8:45 PM): Monsters and the Monstrous 4

Lovecraft and His Monsters (Session Chair: Lance Eaton)

H.P. Lovecraft and Linguistic Aesthetics - Perry Harrison, Fort Hays State University

Perry Neil Harrison is an Assistant Professor and the Director of Graduate Studies in the English Department at Fort Hays State University, where he teaches classes in linguistics, the history of the English language, and medieval literature. He received a PhD from Baylor University in 2018, and his medieval scholarship appears in venues such as Modern Philology and Neophilologus. In addition to his work in Medieval Studies, Perry also publishes on the the writings of H.P. Lovecraft and the historical practice of Anthropodermic Bibliopegy - the binding of books in human skin. His scholarship on these subjects can be found in Lovecraftian Proceedings, Notes & Queries, and the collection Flaying in the Pre-Modern World.

80 Years of ‘Co(s)mic Horror’: Lovecraft in Comics and Comic Art from the 1940s to Today - Michael Torregrossa, Independent Scholar

Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs) and works as an adjunct instructor in English in both Rhode Island and Massachusetts. His research focuses on popular culture’s adaptation and appropriation of literary classics, including the Arthurian legend, Beowulf, Dracula, and Frankenstein. In addition, Michael is the founder of The Alliance for the Promotion of Research on the Matter of Britain and The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture; he also serves as editor for these organizations' various blogs and moderator of their discussion lists. Besides these activities, Michael is also active in the Northeast Popular Culture/American Culture Association and organizes sessions for their annual conference in the fall. Michael is currently Monsters and the Monstrous Area Chair for NEPCA, but he previously served as its Fantastic (Fantasy, Science Fiction, and Horror) Area Chair, a position he held from 2009-2018.

 

 

FRIDAY, 10/22

SESSION #1 (1-2:15 PM): Monsters and the Monstrous 5

Monsters of Beowulf: Past, Present, Future (Session Chair: Derya Agis)

The Pain that Humanizes: Lynd Ward's Images of Beowulf - Cortney Berg, City University of New York

Cortney Berg received a master’s degree in art history from Arizona State University in 2020, and is currently pursuing a PhD in art history at the City University of New York. She is focused on the visual arts of the European medieval period, and has worked on issues of sex and gender in manuscript images, the intersection between text and image, monstrous depictions, and interactions with the broader global medieval world.

Grendel: Echoes of a Pitifully Victimized Monster - Tyler Burdick, Independent Scholar

Tyler Burdick is a graduate of Fordham University and New York University’s Graduate School of Arts and Science. He has closely studied English and American Literature and creative writing, and has a deep interest in many genres of Western literature including Romanticism, crime fiction, and Victorian literature. He is currently based in New York.

Monster or Loving Mother: Grendel's Mother in Graphic Novels - J. Katharine Burton, University of South Florida

I am a third year PhD student in English Literature with primary interest areas in children’s literature, fairy tales/fantasy, with a special emphasis in adaptations of the classics in English literature in new literary forms for younger audiences. In exploring literary aspects of these adaptations, I focus on how the interaction of text and visual materials impacts meaning. I have a Master of Arts in English Literature from USF and a Bachelor’s in English Literature from the University of Oklahoma. I also hold two other Masters: a Master of Arts in Administrative Science focusing on Management Information Systems at George Washington University; and a Master of Science in National Security Strategies from the National Defense University with a certificate in Information Strategies.

Monstrosity and Gender in Children's Beowulfiana - Benjamin Hoover, California State University Long Beach

Benjamin is a third-year graduate student in English at California State University Long Beach. He has presented on the reception of medieval literature in popular culture and on theoretical approaches to chivalric identities.

 

SESSION #2 (2:30-3:45 PM): Monsters and the Monstrous 6

(Re)Making the Monster (Panel Presentation) (Session Chair: Lance)

“Perfectly Monstrous Weather”: The History of Meteorological Terror - Christopher Gilson, Northwestern State University

Dr. Christopher Gilson is Associate Professor of History at Northwestern State University of Louisiana. Dr. Gilson earned the PhD in History at Texas A&M University, completing the dissertation “Strange and Terrible Wonders: Climate Change in the Early Modern World.” An active researcher, Dr. Gilson studies the relationship between climate and history, particularly during the Little Ice Age of 1550-1850. Current research projects focus on early modern climate change and the environmental and landscape history of the American South.

Look Again: Examining the Victorian Monster in the Mirror - Katie Magana, Northwestern State University

Dr. Katie Magaña researches science, the supernatural, and the intersection of the two in Victorian popular literature. She has an additional interest in rediscovering lost novels that were popular in the nineteenth century and the legacy of influence that those works have on our contemporary, YA literature. She holds a PhD in English Literature from Victoria University of Wellington (New Zealand) and is an Associate Fellow with HEA of the UK. Dr. Magaña is an Adjunct Instructor of English at Northwestern State University and still hopeful that she will find a full-time position for the fall.

Monstrous Self-Management: Pratchett’s Count de Magpyr and the Appeal for Sympathy - Catherine Joule, Victoria University of Wellington

Dr. Catherine Joule recently graduated with her PhD in English Literature from Victoria University of Wellington (New Zealand). Her doctoral thesis, By the Strength of Their Enemies: The Virtue of the Stereotypical Antagonist in Terry Pratchett’s ‘Witches’ Novels focuses on Pratchett’s use of stereotypes in grounding the moral arguments of his ‘witches’ sequence of Discworld novels. Dr Joule’s interests include Pratchettian studies, Shakespearean studies, genre fiction, and postmodern fiction. She has taught classes on genre and literary history, and guest lectured on Shakespeare and Early Modern poetry. She is currently an independent scholar pursuing academic postings for the 2022/2023 year.

Monsters and Revenants in Southeast Texas and Louisiana Oral Folk Narratives - Lisa Abney, Northwestern State University

Dr. Lisa Abney is a Professor of English at Northwestern State University. Her research interests include oral folk narratives, literature of the American South, and sociolinguistics. She is the Principal Investigator for the Linguistic Survey of North Louisiana and served as the Director of the Louisiana Folklife Center at Northwestern State University. Along with her ongoing research related to the Linguistic Survey, her current research focuses upon narratives of world of work and in particular, women’s narratives about their work lives.

 

SESSION #3 (4-5:15 PM): Monsters and the Monstrous 7

Legends and Lore of Northeastern Monsters (Session Chair: Michael Torregrossa)

New England’s Monstrous Black Dogs - Faye Ringel, U.S. Coast Guard Academy, Professor Emerita

Faye Ringel is Professor Emerita of Humanities, U.S. Coast Guard Academy, New London CT. She is the author of New England's Gothic Literature: History and Folklore of the Supernatural (E. Mellen, 1995). Its sequel, The Gothic Literature and History of New England: Secrets of the Restless Dead will be published in November by Anthem Press. She has also published on (among other subjects) New England vampires, urban fantasy, Lovecraft, King, Tolkien, Yiddish folklore, and The Three Stooges. She is the former chair of the former Fantastic Literature area of and presented at last year’s virtual conference and many in-person NEPCA conferences. Her CD of traditional music with fiddler Bob Thurston is Hot Chestnuts: Old Songs, Endearing Charms. Before the Pestilence, she used to perform with the Klezmer band Klezmenschen, do cabaret with the Chelsea Players, and produce theater at the Norwich Arts Center in Norwich, CT.

Something Slithers in the Wilds of Watertown - Michael Bielawa, The Barnum Museum

Award-winning author and historian Michael Bielawa is well-versed in New England’s supernatural heritage. His explorations to northeast America’s most mysterious and sacred sites have resulted in numerous books and articles, including Wicked Bridgeport (which received the first-ever New England Paranormal Literary Award) as well as, Wicked New Haven. Bielawa has proudly presented at NEPCA and Necronomicon; and his essays appear in Lovecraft Proceedings 4, the Edgar Allan Poe Review, Fortean Times, FATE Magazine, and Connecticut Magazine. Mike’s research concerning the origins of the Men In Black has been highlighted in the Italian paranormal journal, XTimes. A frequent guest on radio and television, Bielawa enjoys celebrating New England’s unique character; his efforts in actively preserving the region’s history have been featured in The New York Times, the Washington Post and the Wall Street Journal. Each autumn Bielawa leads his dark history tours, Wicked Walks, for The Barnum Museum where he serves as Special Lecturer and Consultant.

Lovecraft and Local Legends - Edward Guimont, Bristol Community College

Edward Guimont is assistant professor of world history at Bristol Community College in Fall River, Massachusetts. He received his PhD in history from the University of Connecticut. His scholarship has appeared in publications including The British Journal for the History of Science, The Tufts Historical Review, Contingent, and Lovecraftian Proceedings.

 

 

SATURDAY, 10/23

SESSION #1 (9-10:15 AM): The Mouse’s Monsters #1

Monsters and the Monstrous in the Worlds of Disney 1 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Disney’s Material Monstrosities: Audio-animatronics - Carissa Baker, University of Central Florida

Carissa Baker is an Assistant Professor of Theme Park and Attraction Management at the University of Central Florida (UCF) in Orlando, FL. She received her Ph.D. in Texts and Technology from UCF. Her primary research focuses on narratives in the theme park space, drawing on her BA and MA in Literature. In addition to academic conferences, she presents at themed entertainment industry events and publishes on various aspects of theme parks. Dr. Baker has taught in China and had two stints as a visiting scholar at Breda University of Applied Sciences in the Netherlands.

The Transformation of the “Brilliant and Mad” into a Monster - Frchkoska Leni, University of St. Cyril and Methodius

Enrolled in doctoral studies at the University Ss. Cyril and Methodius in Skopje, N. Macedonia at the Department of General and Comparative Literature on a topic with a focus on the theory of power and (re) production of ideology through art form for children and youth. I graduated at the same department on the theme of ‘Psychoanalytic Aspects of Literature and Film’ and received my master’s degree in 2013 on the topic ‘Psychoanalytic elements of the fairy tale and its presence in contemporary culture’.

 

SESSION #2 (10:30-11:45): The Mouse’s Monsters #2

Monsters and the Monstrous in the Worlds of Disney 2 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

The Excessive Excessiveness of Oogie Boogie - Philip Serrato, San Diego State University

Phillip Serrato is Associate Professor of English & Comparative Literature at San Diego State University. His teaching and research interests include gothic & horror studies, Chicanx literary & cultural studies, and children's and young adult literature.

Animals/Monsters/Humans: Disney, Disability and Liminality - Rachel Milne, University of Glasgow

Rachel Milne is a graduate of Media Studies at Queen Margaret University in Edinburgh. Her research interests lie in queer theory, disability studies and children’s media, with an interdisciplinary focus on literature and film. Her undergraduate thesis centred around representations of disability and ‘othering’ in Disney animations for children, and her forthcoming article “The Beautiful and the Damned: Depictions of Scottish Childhoods in Small Deaths and Gasman” investigates the representation of working-class female childhoods in films by the Scottish director Lynne Ramsay.

Pixar’s Post-human Counter-gaze in the Toy Story films - Sutirtho Roy, The University of Calcutta

Sutirtho Roy, currently pursuing an MA degree in English Language and Literature at the University of Calcutta, has earned his Bachelor of Arts Degree with a First Class from the same institution, while also ranking first in his college. He had further passed his tenth grade with an aggregate of 96% and his twelfth with 91%. He has co-authored an anthology of poetry and written a novel, which has garnered positive reviews from several websites including Inkitt and Webnovel. Furthermore, he had won several gold and silver medals at Olympiads, secured the third rank in a state-wide essay contest regarding the ills of drug abuse and bagged a prize at a quiz contest organized by Oxford. His papers have also been selected for presentation at national and international seminars, including Brit Grad 2021, as well as renowned international journals. When not invested in canonical studies, he likes to analyse popular culture, and aims to pursue his future studies in critical animal studies and post-humanism. Currently, he freelances at several content writing firms.

 

SESSION #3 (12-1:15 PM): The Mouse’s Monsters #3

Monsters and the Monstrous in the Worlds of Disney 3 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Snow, Glass, Apples as Generic Study of the Gothic Fairytale - Sarah Madoka Currie, University of Waterloo

Sarah Madoka Currie 「くり窓花」is a doctoral candidate of the University of Waterloo, Canada, interested in the intersectionalities and deconstructive potential of higher education pedagogical strategies & sociocultural theorizations of psychosocial dis/ability via the North American Mad Movement. Through compassionate interactionism and leveraging of social determinants and other humanities-bent formulations of postmodern healthcare policy, Sarah envisions a professoriate that seeks to normalize everyday activism beyond the traditional dis/ability paradigm. She has spoken on critical pedagogy, critical dis/ability theory, compassionate/empathic potentialities and literary poststructuralist theory crafting in Interdisciplinary Humanities and Mosaic; as well as multilingual international conference events in Japan, France, UK, America, Canada, India and Wales.

"I'm the witch, you're the world": Disney's Witches - Chloe Carroll, University of Limerick

Throughout my BA and MA I have pursued studies of magical women, film and television, and their histories. My current PhD research involves the image of the witch throughout film and television, and how the gendered identity has existed in waves and is currently undergoing a new transformation. My MA thesis, ‘The Handmaid’s Tale from Ronald to Donald: A Feminist Analysis’, led me to further discussons on equality and the persecution of women revived from history to serve a renewed purpose for the screen. My research interests focus on the cultural value of monsters and their representations.

The Magic of Disney: Monsterized Witches & Good Fairies - Richard Fahey, University of Notre Dame

Richard Fahey recently graduated from University of Notre Dame with a PhD in English (2020) and currently works as Blog Manager & Contributor at the Medieval Institute’s Medieval Studies Research Blog, and as Managing Book Review Editor for Religion & Literature at Notre Dame. Richard specializes in Old English, Middle English, Old Norse-Icelandic, Old Saxon and Latin literature, and his research interests include medieval wonders, monsters, riddles, heroism, syncretism, allegory, medievalism and public humanities. Richard is currently working on transforming his recent dissertation into a monograph, titled "Psychomachic Monstrosity in Beowulf" and he is also putting together an edited collection on "White Wizard Male Privilege" for Lexington Books.

Two Steps Forward, One Step Back: Disney Monsters and Racism - Chelsea Criez, Ace Charter High School

Chelsea Criez currently lives in the San Francisco Bay Area with her husband and two dogs where she teaches high school English to multilingual and immigrant students. Last year, she earned a Master’s degree in English and Comparative Literature from San Jose State University and hopes to earn a PhD in English and teach higher education English composition and literature.

 

 

Monday, April 19, 2021

CFP Studies in the Fantastic General Call and Focus on HBO's Lovecraft Country (6/1/2021)

Studies in the Fantastic

Source: https://utampapress.org/studies-in-the-fantastic/sitf-current-cfp

Current CFP

HBO’s recent series Lovecraft Country takes up the monsters of H. P. Lovecraft’s universe, but flips the script to make the heroes an African-American cast battling various demons in the Jim Crow era. Arguably, the show aimed at a re-appropriation or détournement of the pulp legend’s troubling racism, but critics seem divided on the show’s success. In Dr. Kinitra Brooks’s writings on the series for The Root, she situated it as “a part of the contemporary arts movement that media professor John Jennings coined as ‘Racecraftian,’ inspired by Karen and Barbara Fields in their 2014 book, Racecraft: The Soul of Inequality in American Life.” Therein, racecraft is defined as a practice: racism produces the illusion of race, and Jennings adopted the term (thinking specifically of its homology with Lovecraft’s name) to signify horror narratives that engage with critical race studies for the purpose of dismantling constructions of race. As an adaptation of Lovecraft’s universe, the HBO series would seem to be speaking back to the pulp legend.

Studies in the Fantastic, a journal founded by Lovecraft scholar S.T. Joshi, seeks submissions for a special issue on any aspect of the show, but we are especially interested in essays that delve into this debate, the works of H.P. Lovecraft, Lovecraft Country, and the Racecraftian turn. Acknowledging that the series is new and that many conferences this year are cancelled due to the pandemic, we are accepting shorter essays (3500-6000 words) driven by scene analyses for this collection that seeks to gather together scholars’ “First Thoughts on Lovecraft Country.” Submissions for this special issue should be received by June 1, 2021. Send to the editor at fantastic@ut.edu

Studies in the Fantastic is a journal publishing refereed essays, informed by scholarly criticism and theory on both fantastic texts and their social function. Although grounded in literary studies, we are especially interested in articles examining genres and media that have been underrepresented in humanistic scholarship. Subjects may include, but are not limited to, weird fiction, science/speculative fiction, fantasy, videogames, science writing, futurism, and technocracy. Electronic access to Studies in the Fantastic is available via Project Muse. Follow us on twitter: @study_fantastic

Studies in the Fantastic requests submissions for our biannually published peer-reviewed academic journal. As always, essays examining the fantastic from a variety of scholarly perspectives are welcome.

Studies in the Fantastic has recently launched a reviews section. We publish reviews of scholarly works pertaining to the field but may also be open to scholarly reviews on works of fiction, film, or (video)games. (See issues 8, 9 for examples.) Pitches may be sent to the reviews editor at fantastic_reviews@ut.edu.