Showing posts with label Egyptology. Show all posts
Showing posts with label Egyptology. Show all posts

Sunday, April 10, 2022

CFP Performing Tutankhamun: One Hundred Years of Retellings (4/25/2022; Birmingham, UK/online 7/1/2022)

Of interest: 


Performing Tutankhamun: One Hundred Years of Retellings

source: https://call-for-papers.sas.upenn.edu/cfp/2022/03/21/performing-tutankhamun-one-hundred-years-of-retellings

deadline for submissions:
April 25, 2022

full name / name of organization:
Dr Eleanor Dobson and Dr Leire Olabarria (University of Birmingham)

contact email:
e.c.dobson@bham.ac.uk



The year 2022 marks the centenary of the discovery of the tomb of Tutankhamun, unearthed by a team of Egyptian excavators led by Howard Carter and financed by the fifth Earl of Carnarvon. In the hundred years that followed, in what ways have media and performance contributed to the retelling and reshaping of this historic moment and the discovery’s cultural aftermath? Whose voices have been amplified, and whose marginalised? Where has historical accuracy given way to creative license? What audiences have been catered to, and what does this tell us about the ways in which Egyptology is ‘consumed’?

This event will showcase the work of researchers working on these issues in short papers, after which will follow a roundtable of invited speakers: Dr Elizabeth Frood, Dr Fatma Keshk, Dr Daniela Rosenow, and Prof. Richard Bruce Parkinson. The day will conclude with an original performance based on the tomb discovery informed by archival sources held at the Griffith Institute.

The organisers invite proposals for 15-minute papers that are interested in examining ‘retellings’ of the tomb’s discovery, and are especially keen to hear from researchers who would like to present on the story of the tomb discovery as (re)told for Egyptian and non-Anglophone audiences.

Please send abstracts to L.Olabarria@bham.ac.uk and E.C.Dobson@bham.ac.uk by 25 April 2022. We have planned for the event to be accessible to in-person and online attendees, and it would be useful if you could indicate if possible whether you have a preference in terms of presenting in Birmingham or remotely when submitting your abstract. More information is available on the conference website: https://performingtutankhamun.wordpress.com/performing-tutankhamun/. We look forward to hearing from you!



Last updated March 23, 2022

Tuesday, January 12, 2021

CFP Reception of Ancient Egypt in Science Fiction (2/28/21; Birmingham, Eng 7/9/21)

This seems of potential relevance. Not that the organizers suggest this might be converted to a virtual event.


Do Ancient Egyptians Dream of Electric Sheep? The Reception of Ancient Egypt in Science Fiction

https://call-for-papers.sas.upenn.edu/cfp/2020/12/21/do-ancient-egyptians-dream-of-electric-sheep-the-reception-of-ancient-egypt-in

deadline for submissions:
February 28, 2021


full name / name of organization:
Dr Leire Olabarria & Dr Eleanor Dobson (University of Birmingham)


contact email:
e.c.dobson@bham.ac.uk




University of Birmingham*

Date: 9 July 2021

Registration: estimated £10, £5 students/unwaged

In Mary Shelley’s Frankenstein (1818) – a milestone in the history of the science fiction genre – the eponymous scientist is horrified when the creature he has assembled from assorted body parts is successfully animated. ‘A mummy again endued with animation could not be so hideous as that wretch’, Frankenstein relates. This comparison – between a figure who represents the potential disastrous consequences of cutting-edge scientific enquiry and the bodies of the ancient Egyptian dead – is one that recurs later in the novel. Having dispatched his creator, the creature’s ‘vast hand’ is described as ‘in colour and apparent texture like that of a mummy’. Nearly two centuries later, Roland Emmerich’s Stargate (1994) also depicts ancient Egyptian bodies in settings infused with a futuristic aesthetic; alien entities acquire human forms in order to extend their lifespans, while sarcophagi are reimagined as regeneration chambers.

Science fiction has undeniably contributed to creating an image of ancient Egypt, and yet it is only starting to be addressed by Egyptological scholarship. Literature, theatre, film, television, comics, and video games all present images of Egypt that have had an enduring impact on perceptions of Egypt by the public. Nevertheless, and despite the involvement of experts in contributing to or shaping these cultural products – in Stargate’s case, in professional Egyptological consultation with regards to written and spoken Ancient Egyptian – the ways in which Egyptological scholarship informs science fiction in particular still remain to be explored. How might Egyptologists engage with this material beyond judging its historical authenticity? And to what extent can science fiction contribute to scholarly discussions of ancient Egypt?

The aim of this workshop is to explore the reception and reconstruction of Egypt in science fiction, fostering a dialogue among Egyptologists, cultural historians, literary scholars, and creative practitioners. The organisers are keen to receive abstracts from scholars coming from a variety of academic perspectives and diverse backgrounds, and who are interpreting science fiction in its broadest sense, including those informed by ancient Egyptian understandings of science.

The organisers seek proposals for 15-minute papers, which should be sent in the body of an email to Dr Leire Olabarria [L.Olabarria@bham.ac.uk] and Dr Eleanor Dobson [E.C.Dobson@bham.ac.uk] by 28 February 2021. Abstracts should be a maximum of 250 words and should be accompanied by a short biographical note.

  • Topics might include but are not limited to:
  • The origins and historical development of SF’s fascination with Egypt
  • Archaeology and out-of-place artefacts
  • Time and space travel
  • Parallel universes or alternate histories
  • Steampunk
  • Afrofuturism
  • Dystopia, apocalypse or post-apocalypse
  • The ethics of ‘ahistorical’ representation


*While we hope to be able to welcome delegates to Birmingham in person in July, the workshop may need to take place online (with no registration fee) if circumstances do not allow face to face meetings. We will keep participants informed with the most up-to-date information as we have it.


Last updated December 23, 2020