Showing posts with label Dr. Henry Armitage Memorial Symposium. Show all posts
Showing posts with label Dr. Henry Armitage Memorial Symposium. Show all posts

Wednesday, March 6, 2024

CFP Sixth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research (5/24/2024; Providence, RI 8/15-18.2024)

The Sixth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research

NecronomiCon Providence convention in Providence, RI
15-18 August, 2024
Location: Omni Hotel, Providence – Bristol/Kent Room, 3rd floor

Symposium Chairs: Dr. Elena Tchougounova-Paulson, editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Prof. Dennis P. Quinn 

CALL FOR PRESENTATION ABSTRACTS:

The Dr. Henry Armitage Memorial Scholarship Symposium seeks Lovecraftian and Weird Fiction related research for the NecronomiCon Providence convention. Providence, RI, August 15-18, 2024

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) invites submissions for the upcoming Armitage Symposium, a conference that will be held within the convention. The Symposium is substantially dedicated to the life and works of the Providence-based Weird fiction writer, the father of Cosmic horror, H.P. Lovecraft, but also to his milieu, his literary contemporaries, predecessors and successors in the Weird/horror/Gothic/Neo-Gothic lore. For many decades, Lovecraft’s legacy has been the central topic for challenging discussions, and many prominent scholars have joined in debates, followed by significant textual insights, great literary discoveries, and numerous high-quality academic publications. The Armitage Symposium in 2024 will continue to explore Lovecraft’s works in relation to classic and contemporary Weird fiction, science fiction, other similar genres of horror/Gothic/Neo-Gothic literature, modern philosophy (phenomenology and epistemology), literary theory, linguistics, cultural history and cultural theory, archaeology, ethnography, etc.


Possible topics for 15-minute papers might include:

  • Lovecraft’s influence on the American or, broadly, Western literary canon
  • Lovecraft and Cosmic mythology
  • Lovecraftian Mythos as a cultural phenomenon
  • Lovecraft and religion/mysticism, and race/gender studies
  • Lovecraft and Eurocentrism: origins and complexities
  • Lovecraft’s correspondence as pre-blogging/travelog
  • “Arkham House” and its heritage: further discoveries in its archival history
  • Horror/Supernatural/Gothic fiction: its origins, historical frames and defining terms
  • The works of potent and influential masters such as Dunsany, M.R. James, and Clark Ashton Smith
  • Modern literary and cinematic perspectives in Lovecraftiana and the Supernatural
  • Women in Lovecraftiana/Weird fiction in the past, present, and future
  • Contemporary philosophy of weird, horror, and the supernatural: interpretive approaches

Traditionally, the Armitage Symposium has aimed to foster explorations and disseminations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other fiction writers, historians, art critics, philosophers, archivists, bibliographers of the past and the present. However, all submissions that contribute to interconnecting new linguistic and literary theoretical concepts in academic Lovecraftiana/horror studies are very welcome.

Specifically for the Armitage Symposium, we are particularly interested in submitting works from academics: undergraduates, PhD students, post-graduates, independent scholars, established researchers. Presenters should be prepared to deliver a fifteen to twenty-minute oral presentation, and are invited to submit a manuscript for possible inclusion in the peer-reviewed Lovecraftian Proceedings no. 6.

For consideration, interested scholars should submit an abstract (of around 250-300 words) in Word format along with a short bio (around 100 words) to the symposium chair, Dr Elena Tchougounova-Paulson, at tch.elena15@gmail.com.

The deadline for submissions is May 24, 2024. Early submissions are encouraged.

In addition to these talks, NecronomiCon Providence will also feature numerous traditional panels and presentations, given by many of the top names in Lovecraftian studies and the global Weird Renaissance. For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please, visit our website: necronomicon-providence.com.





About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, 15-18 August 2024. Presenters will deliver fifteen-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2024 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2024.pdf

Tuesday, June 14, 2022

Last Call Armitage 2022 (6/17/2022; Providence 8/19-21/2022)

The Armitage Symposium

source: http://necronomicon-providence.com/the-armitage-symposium/


The Fifth quasi-Biennial

Dr. Henry Armitage Memorial Scholarship Symposium

of New Weird Fiction and Lovecraft-Related Research

NecronomiCon Providence convention in Providence, RI

19-21 August, 2022

Location: Omni Hotel, Providence


**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!**

Symposium Chair: Prof. Dennis P. Quinn, Cal Poly Pomona, CA and Editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Elena Tchougounova-Paulson

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!**

 

About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, August 18-21, 2022. Presenters will deliver fifteen to twenty-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

**ABSTRACT SUBMISSION DEADLINE EXTENDED TO JUNE 17!** 

 

Saturday, April 2, 2022

Out Now: Lovecraftian Proceedings No. 4

Lovecraftian Proceedings No. 4 


Edited by Dennis P. Quinn and Elena Tchougounova-Paulson 


Purchase from Hippocampus Press: https://www.hippocampuspress.com/journals/lovecraftian-proceedings/lovecraftian-proceedings-no.-4



ISBN 9781614983613


February 2022

304 pp 

$20.00

Cover art by Pete Von Sholly




This fourth volume of selected papers from the Dr. Henry M. Armitage Memorial Scholarship Symposium, delivered at NecronomiCon Providence 2019, contains an array of groundbreaking articles on Lovecraft’s life, work, and thought. Papers by Kyle Gamache and Thomas Schwaiger, focus on Lovecraft’s relations with his brilliant young friend R. H. Barlow, whose story “The Night Ocean” is one of the finest weird tales of its era. Elena Tchougounova-Paulson and Christian Roy address connections between Lovecraft’s work and that of the philosophers Alexander Blok and Georges Bataille.

Benjamin Davis studies contemporary views of Tibet in reference to Lovecraft’s citation of that obscure realm. Heather Poirier traces the relationship of Lovecraft’s work with the Southern literature of his time, while Jeremiah Dylan Cook probes the influence of Nathaniel Hawthorne and Herbert S. Gorman on “The Shadow over Innsmouth.” Other papers discuss the Necronomicon, such seminal tales as “The Outsider,” “Pickman’s Model,” “The Colour out of Space,” and At the Mountains of Madness, and other vital topics. In all, the essays in this volume constitute cutting-edge scholarship on one of the most provocative authors of his time.



TABLE OF CONTENTS

Foreword

Niels-Viggo S. Hobbs



Introduction: Haunting Phantasms—A Bookworm Edition

Elena Tchougounova-Paulson and Dennis P. Quinn



Zahhak Beside Cthulhu: Philosophizing with Monsters in Persian Mythology and American Horror

Robert Landau Ames



The Influence of The Great Game on the Writings of H. P. Lovecraft: The Opening of Tibet and the Creation of Leng

Benjamin Davis



The Necronomicon Yalensis and Lovecraft in Connecticut

Edward Guimont



Lovecraft’s Archive: Materiality and Readership in Lovecraft’s Fiction

Cole Donovan



The Outsiders: Mapping Lovecraft’s Loathing

Paul Neimann



The Ebb of Sanity: “The Night Ocean” and Bipolar Disorder

Kyle Gamache



The Weird Within the Real: Common Territories in Lovecraft’s Fiction and Southern Literature

Heather Poirier



A Lover of Past Phantoms: Lovecraftian Reflections in R. H. Barlow’s Life and Work

Thomas Schwaiger



American Frankensteins: George Porter and George Poe, and Their Attempts to Reanimate the Dead in New England

Michael J. Bielawa



Encounters in the Mountains of Madness: H. P. Lovecraft and Werner Herzog at the World’s End

Lúcio Reis-Filho, Laura Cánepa, and Jamer de Mello



Fear and (Non) Fiction: Agrarian Anxiety in “The Colour out of Space”

Antonio Alejandro Barroso



Nathaniel Hawthorne and Herbert S. Gorman’s Shadows over Innsmouth

Jeremiah Dylan Cook



Neo-Gothic Decadence as a Pervasive Challenge in the Works of H. P. Lovecraft, Arthur Machen, and Alexander Blok

Elena Tchougounova-Paulson



Lovecraft’s Accursed Share in Bataille’s General Economy: Antiutilitarian Cosmologies and Anti-capitalist Social Visions

Christian Roy



A Sequence of Paintings So Horrible: Montage in Visual Adaptations of “Pickman’s Model

Nathaniel R. Wallace



Contributors



Appendix: Abstracts from the Fourth Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research Providence, RI, 23–25 August 2019

Dennis P. Quinn, Chair



Index

Tuesday, March 1, 2022

CFP Fifth quasi-Biennial Dr. Henry Armitage Memorial Scholarship Symposium of New Weird Fiction and Lovecraft-Related Research (6/3/22; Providence, RI 8/19-21/22)

The Armitage Symposium 

Source: http://necronomicon-providence.com/the-armitage-symposium/


The Fifth quasi-Biennial

Dr. Henry Armitage Memorial Scholarship Symposium

of New Weird Fiction and Lovecraft-Related Research


NecronomiCon Providence convention in Providence, RI

19-21 August, 2022


Location: Omni Hotel, Providence

Symposium Chair: Prof. Dennis P. Quinn, Cal Poly Pomona, CA and Editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Elena Tchougounova-Paulson

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

 
 

About the Symposium:

The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.

In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).

Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, August 18-21, 2022. Presenters will deliver fifteen to twenty-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.

For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.

The 2022 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2022-2.pdf

 

Sunday, February 28, 2021

NecronimiCon Providence 2021 Updates

I just discovered some updates today on the NecronomiCon Providence event scheduled for August 2021.

At present, the convention is still scheduled as a face-to-face event, owing to its contract with the venue hotel, but it is possible that the convention will be postponed to 2022.

In related news, the academic track of NecronomiCon has been cancelled for 2021 due to travel restrictions.

Updated Thursday, 4 March 2020.