Showing posts with label Medieval Studies. Show all posts
Showing posts with label Medieval Studies. Show all posts

Friday, August 15, 2025

CFP Magics, Marvels, Metamorphoses, and Monsters: Horrors of the Medieval Past, Present, and Future (Virtual) (9/15/2025; ICMS Kalamazoo/Online 5/14-16/2026)

Magics, Marvels, Metamorphoses, and Monsters: Horrors of the Medieval Past, Present, and Future (Virtual)


Co-sponsored by Monsters & the Monstrous Area of the Northeast Popular Culture Association, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, International Society for the Study of Medievalism


Organized by Michael A. Torregrossa, Bristol Community College, and June-Ann Greeley, Sacred Heart University




Medieval art, culture, and literature contain many elements we view as fantastical today. Images and stories are filled with displays of magic, appearances of marvels, occurrences of metamorphoses, and threats of monsters. All of these are now considered features of the horror genre, but did readers in the Middle Ages perceive them as such? Has our view of the preternatural changed so radically from the medieval era to now? In what ways have these aspects been transformed over time and in new places? We seek to answer these and similar questions in this session designed to unite medieval(ism)ists with colleagues across Monster Studies.


Possible topics:

Demons, dragons, Faerie, gargoyles, giants, the Green Knight, Grendelkin, magic, Melusine, Merlin (his origins/abilities), Morgan le Fay, the Questing Beast, revenants, sea monsters, transformations, vampires, werewolves, wild folk, witches, wonders of the East.


Please post paper submissions into the Confex site using the direct link https://icms.confex.com/icms/2026/prelim.cgi/Session/7279.

Do send any questions to the organizers at popular.preternaturaliana@gmail.com. Submissions are due no later than 15 September 2025.


Please be aware that those accepted to the panel must register for the conference in order to present. Past registration costs can be viewed at https://wmich.edu/medievalcongress/registration. The International Congress on Medieval Studies does offer limited funding as travel awards and subsidized registration costs; details are available at https://wmich.edu/medievalcongress/awards.


For more information about the Monsters & the Monstrous Area of the Northeast Popular Culture Association, do check out our website Popular Preternaturaliana: Studying the Monstrous in Popular Culture: https://popularpreternaturaliana.blogspot.com/.


For more information about the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, do check out our website Mass MediƦvalisms: The Middle Ages of Popular Culture: https://medievalinpopularculture.blogspot.com/.


For more information about the International Society for the Study of Medievalism, do check out our website at https://medievalisms.org/ and consider signing up for our listserv (details at https://medievalisms.org/issm-listserv/).


Friday, January 17, 2025

CFP Medieval + Monsters Conference (3/15/2025; event 10/17-18/2025)


Medieval + Monsters:

MAM, MAMA, and IMA Joint Conference with The Newberry Library

October 17 & 18, 2025

Hosted @ Dominican University & the Newberry Library



Call for Papers

Individual abstracts of 250 words should be submitted to: Monsterconference2025@gmail.com by March 15, 2025.

If you are graduate student, note if you want to participate in an on-line session in your proposal. Proposed panels are also accepted. Questions: Mickey Sweeney

Abstracts focused on medieval, or medievalism monstrous themes are welcome; this topic is broadly conceived to encourage colleagues from all relevant disciplines, such as art historians, linguists, literature, theologians, historians, history of science, and forms of medievalism etc., to apply. We also have an active group of graduate students & emerging scholars who are interested in developing online sessions, as well as in-person workshops in teaching the medieval through medievalism, gaming, etc. Please note on your abstract if you are interested in an in-person session or an online session and if you are proposing a graduate session/roundtable/traditional paper/session.


Friday, August 9, 2024

CFP Medieval Monsters as Modern Monsters (virtual) (9/15/2024; ICMS Kalamazoo 5/8-10/2025)

Medieval Monsters as Modern Monsters: Exploring Continuums of the Monstrous (virtual)


Sponsored by Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa


60th International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)

Hybrid event: Thursday, 8 May, through Saturday, 10 May, 2025

Please Submit Proposals by 15 September 2024


Session Information


Medieval monsters and ideas about them remain at the base of many of our modern conceptions of monsters and the monstrous, but few studies have explored the tracks of these ongoing traditions for representing monstrosities in the post-medieval world. It is our intention in this session to shed some light on these creations and their impact today.

We seek in this panel to unite the fields of Medieval Studies, Medievalism Studies, Monster Studies, and Popular Culture Studies to highlight the links between medieval monstrosities and their post-medieval incarnations and successors.

We hope presenters will explore both continuity and change in addressing how terrors rooted in the medieval world have been portrayed beyond the Middle Ages and/or how modern monstrosities seem to draw indirectly from medieval traditions.



Thank you for your interest in our session. Please address questions and/or concerns to the organizers at MedievalinPopularCulture@gmail.com.


Submission Information


The process for proposing contributions to sessions of papers, roundtables and poster sessions for the International Congress on Medieval Studies uses an online submission system powered by Confex. Be advised that submissions cannot be accepted through email. Rather, access the direct link in Confex to our session at https://icms.confex.com/icms/2025/paper/papers/index.cgi?sessionid=6429. You can also view the full Call for Papers list at https://wmich.edu/medievalcongress/call.


Within Confex, proposals to sessions of papers, poster sessions and roundtables require the author's name, affiliation and contact information; an abstract (300 words) for consideration by session organizer(s); and a short description (50 words) that may be made public. Proposals to sessions of papers and poster sessions also require a title for the submission (contributions to roundtables are untitled).


Proposers of papers or contributions to roundtables for hybrid sessions should indicate in their abstracts whether they intend to present in person or virtually.


If you need help with your submissions, the Congress offers some resources at the Particpating in the Congress page at https://wmich.edu/medievalcongress/participating-congress. Click to open the section labeled “Propose a Paper” and scroll down for the Quick Guide handouts.



Be advised of the following policies for participating in the Congress:


You are invited to propose one paper (as a sole author or as a co-author) for one session of papers. You may propose a paper for a sponsored or special session or for the general sessions, but not both. You may propose an unlimited number of contributions to roundtables and poster sessions, but you will not be scheduled to actively participate (as paper presenter, roundtable discussant, poster author, presider, respondent, workshop leader, demonstrator or performer) in more than three sessions.


Further details on the Congress’s Policies can be found at https://wmich.edu/medievalcongress/policies-guidelines.



A reminder: Presenters accepted to the Congress must register for the full event. The registration fee is the same for on-site and virtual participants. For planning, the cost for the previous year’s event is posted at the Congress’s Registration page at https://wmich.edu/medievalcongress/registration.


If necessary, the Medieval Institute and Richard Rawlinson Center at Western Michigan University offer limited funding to presenters. These include both subsidized registration grants and travel awards. Please see the Awards page at the Congress site for details at https://wmich.edu/medievalcongress/awards.


For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://medievalinpopularculture.blogspot.com/.

For more information on the Monsters & the Monstrous Area of the Northeast Popular Culture Association, please visit our website at https://popularpreternaturaliana.blogspot.com/.


Saturday, May 13, 2023

CFP Medieval Monstrosities Online Symposium (9/15/2023; online 10/27/2023)

Medieval Monstrosities


deadline for submissions:
September 15, 2023

full name / name of organization:
Illinois Medieval Association

contact email:
mwgeorge.51@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/05/10/medieval-monstrosities



Illinois Medieval Association Annual Symposium: Medieval Monstrosities

October 27, 2023, 3:00 pm via Zoom


The Illinois Medieval Association is now accepting proposals for our annual Halloween session: Medieval Monstrosities. This session is part of our annual Symposium, which runs online throughout the year. Topics are open to any work on the Middle Ages involving the monstrous, supernatural, strange, and/or bizarre. The Symposium aims to engage all disciplines and geographical areas of medieval studies. The session will be free and online, and papers presented at the session are eligible for submission to Essays in Medieval Studies, IMA's annual, peer-reviewed proceedings volume, published annually by the West Virginia University Press and available via Project Muse. The session is online via Zoom and completely free.

To submit, please send a proposal by August 20 of no more than 300 words to mwgeorge.51@gmail.com. Include your name, institutional affiliation (if any), the title of the proposed paper, and your proposal narrative.



Last updated May 12, 2023

Friday, June 25, 2021

CFP Monsters of Beowulf (8/1/2021; NEPCA 10/21-23/21)

 

Monsters of Beowulf: Past, Present, Future

Session Proposed for the 2021 Conference of the Northeast Popular Culture/American Culture Association

Sponsored by the Monsters & the Monstrous Area

Virtual event, Thursday, 21 October, through Saturday, 23 October 2021.

Proposals due by 1 August 2021.

 

The Northeast Popular Culture/American Culture Association (a.k.a. NEPCA) prides itself on holding conferences that emphasize sharing ideas in a non-competitive and supportive environment. We welcome proposals for presentations of 15-20 minutes in length, from researchers at all levels, including undergraduate and graduate students, junior faculty, and senior scholars, as well as independent scholars. NEPCA conferences offer intimate and nurturing sessions in which new ideas and works-in-progress can be aired, as well as completed projects.

For this session, we’re looking for papers that explore and highlight the reception and representation of the monsters of Beowulf in popular culture.

 

If you are interested in joining this session, please submit the following information into NEPCA’s online form at http://bit.ly/PopCFP2021.

·         Proposal Type (Single Presentation or Panel)

·         Subject Area (select the “Monsters and the Monstrous” from the list)

·         Working Title

·         Abstract (250 words)

·         Short bio (50-200 words)

Address any inquiries to the area chairs: Michael A. Torregrossa at popular.preternaturaliana@gmail.com.

Presenters are also required to become members of NEPCA for the year.

 

Saturday, September 7, 2019

CFP MEARCSTAPA at Kalamazoo 2020 (proposals by 9/15/19)

MEARCSTAPA is still seeking presenters for the following panels. Proposals are due 9/15/19.



MEARCSTAPA KZOO 2020 CFPs



Xenophobia and Border Walls: Monstrous Foreigners and Polities

Kalamazoo 2020

Co-sponsors: MEARCSTAPA and SociƩtƩ Rencesvals, American-Canadian Branch

Organizers: Asa Simon Mittman and Ana Grinberg



Who is that knight, threatening “our” town walls? Why are they roaming outside, besieging “our” castle? What shall we do with all these [Jewish], [Muslim], [Saracen], [Genoese], [pilgrim] people coming to this area, “robbing us of our jobs” and taking up our lands? As Jeffrey Cohen writes, “all the familiar stereotypes about foreigners,medieval and modern, find their place here: they make too much noise, they smell bad, they eat repulsive foods, their excess is disgusting” (emphasis added). Our current political environment makes these ideas more pressing, as xenophobia runs rampant and walls are (re)built.



Medieval and early modern representations of foreigners as a threat are not that different from our own. With this in mind, MEARCSTAPA and SociƩtƩ Rencesvals invite papers delving into pre- and early modern representations of contacts between cultures, races, religions, and even species from diverse disciplines and methodological approaches. Of particular interest are constructions of monstrosity in chivalric epic and romances.



Please send abstracts of no more than 250 words together with a completed Participant Information Form to session organizers Ana Grinberg (grinberg@auburn.edu) or Asa Simon Mittman (asmittman@csuchico.edu) by September 15. Please include your name, title, and affiliation on the abstract itself. All abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.



Keywords: Foreigners, othering, stereotypes, xenophobia, political climate



____________



Taking Shape: Sculpting Monsters

Kalamazoo 2020

Sponsor: MEARCSTAPA

Organizers: Mary Leech and Asa Simon Mittman



For centuries, the actions of monsters were more important that what the monsters looked like. Some monsters were given more specific descriptions than others, yet monstrosity was often based on Otherness, such as deformity, threatening animals, gender, or foreigners. As time goes on, many monsters take on more precise shapes based on the exaggerated physical conceptions of difference. By exploring how monsters take on specific shapes, this panel will analyze the ways in which specific fears (and desires) can create specific physical features.



The panel will be most effective with a range of methodologies and fields. While literary descriptions are often the base of how monsters are perceived, folkloric traditions that predate writing influence literary traditions. Works of history contain aspects of monstrosity, either literally or in how certain groups are described. Artistic renderings of monsters can also highlight the variety of interpretations of monstrosity. How and why monsters are formed, both as a concept and as a physical threat, has relevance across fields and eras. The panel should appeal to many areas of scholarship, particularly those that explore how gender, sexuality, and physical disabilities are presented as fearsome and monstrous.



Please send abstracts of no more than 250 words together with a completed Participant Information Form to session organizers Mary Leech (leechme@uc.edu) or Asa Simon Mittman (asmittman@csuchico.edu) by September 15. Please include your name, title, and affiliation on the abstract itself. All abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.



Keywords: Monster, gender, disability, Other, folklore



____________



Adorable Monsters in Medieval Culture (Roundtable)

Kalamazoo 2020

Sponsor: MEARCSTAPA

Organizers: Mary Leech, Tina Boyer and Asa Simon Mittman



Medieval Monstrosity is usually conceived as something that is physically dangerous or repulsive, often both. What happens when the monster is not physically dangerous, or is attractive? For example, when the loathly lady becomes beautiful, is she no longer dangerous? Is the threat she represented gone? Manuscript marginalia has many images of rabbits, dogs, goats, and adorable hybrid monsters engaging in violent behavior. What do images of domestic animals and otherwise delightful creatures possibly have to say about monstrosity in humans? By exploring monstrosity with attractive exteriors, this discussion will seek to analyze the hidden nature of monstrosity.



The panel will be most effective with a range of methodologies and fields. While literary descriptions are often the base of how monsters are perceived, folkloric traditions that predate writing influence literary traditions. Works of history contain aspects of monstrosity, either literally or in how certain groups are described. Artistic renderings of monsters can also highlight the variety of interpretations of monstrosity. Ideally, this panel will have participants from several different fields. The wider the range of participants, the more interesting the discussion will be for potential audience members.



Please send abstracts of no more than 250 words together with a completed Participant Information Form to session organizers Tina Boyer (boyertm@wfu.edu), Mary Leech (leechme@uc.edu), or Asa Simon Mittman (asmittman@csuchico.edu) by September 15. Please include your name, title, and affiliation on the abstract itself. All abstracts not accepted for the session will be forwarded to Congress administrators for consideration in general sessions, as per Congress regulations.



Keywords: cuteness, monsters, animals, gender, manuscript.



Tuesday, July 9, 2019

CFP Things That Go Bump In The Night: Premodern Narratives and Depictions of Spirit Visitation (9/1/19; IMC Leeds 2020)

Things That Go Bump In The Night: Premodern Narratives and Depictions of Spirit Visitation
https://call-for-papers.sas.upenn.edu/cfp/2019/06/04/things-that-go-bump-in-the-night-premodern-narratives-and-depictions-of-spirit

deadline for submissions: September 1, 2019
full name / name of organization: MEARCSTAPA
contact email: tmtomaini@gmail.com

Things that go Bump in the Night: Premodern Narratives and Depictions of Spirit Visitation



IMC Leeds 2020

Sponsor: MEARCSTAPA

Organizers: Asa Simon Mittman and Thea Tomaini



MEARCSTAPA seeks papers for the 2020 International Medieval Congress at Leeds on the varietal experiences of spirit visitation in premodern narratives and art. In accordance with the conference theme of “Borders”, we are especially concerned with liminal spaces and states of being. In contemporary ghost narratives there is a clear distinction between spirits of the dead who communicate with the living directly (by appearing in the material world to a human being who is awake and alert) and those who communicate with the living indirectly (by appearing in dreams to people who are asleep, or in visions to people who are in a trancelike state). In medieval and early modern literature, art, and theological narratives about spirits of the dead, this distinction is far less clear. Waking experiences in premodern narratives indicate the same sense of validation as non-waking experiences. The sensory reaction and emotional state of a person in the aftermath of a dream or vision (as in The Vision of Barontus) differs from that of a person (or people) experiencing the sensory shock of seeing, hearing, or speaking to a ghost in the material world, in real time (as in The Ghost of Beaucaire). Nevertheless, a ghost, phantom, or spectre appearing in a dream or vision is purported to be as “real,” its message to be as consequential and as meaningful, as one that manifests in the material world (whether is it seen, as a spectral figure, or unseen, as an invisible presence). We are looking for papers that explore issues of validation and experience in communication with the spirit world. In the premodern world, what is a “real” ghost experience where “crossover” is concerned?



Send proposals of 250 words maximum to tmtomaini@gmail.com and asmittman@asuchico.edu.

Deadline: September 1, 2019


Last updated June 5, 2019