Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Thursday, May 8, 2025

CFP Sponsored Session - Silly Old Bear? Adaptations, Appropriations, and Transformations of Winnie-the-Pooh (7/15/2025; NEPCA online 10/9-11/2025)

Silly Old Bear? Adaptations, Appropriations, and Transformations of Winnie-the-Pooh

Co-sponsored by the Monsters & the Monstrous Area and Disney Studies Area

Call for Papers for 2025 Virtual Conference of the Northeast Popular Culture Association (NEPCA)

Thursday, 9 October, to Saturday, 11 October, 2025

Submissions are open until Tuesday, 15 July by 5 PM EDT


A. A. Milne’s Winnie-the-Pooh has always been a bit of a shapeshifter manifesting under various names and appearances since the start of his now over one-hundred-year career as a transmedia figure. Over the past century, Pooh and his associates from the Hundred Acre Wood have been adapted and appropriated to feature in artwork, cards, clothing, collectibles, comics, cookbooks, fiction, films, games, illustrations, memes, musical theater, original videos, philosophical treatises, plays, poems, radio broadcasts, self-help manuals, stuffed animals, songs, streaming video, television programs, theatrical productions, theme park attractions, and translations as well as critical commentaries and works of scholarship. These stories tell of their adventures across time and space, and each text offers a unique approach to the characters. Notably, Pooh and his band have often undergone radical transformations through various parodies and pastiches, with many more innovative approaches appearing since their move into the public domain beginning in 2022. 


In this session, we seek to catalog and critique some of these various takes on Winnie-the-Pooh and his companions. We ask you to explore how these adaptations, appropriations, and transformations of these familiar figures connect to and/or diverge from the Poohian tradition established by Milne and illustrator E. H. Shepard. We want you to uncover what these works might say about the gang from the Hundred Acre Wood, the creators of these new works, and, ultimately, ourselves as the receivers of these texts. We encourage you to make use of the resource guide provided at https://tinyurl.com/SillyOldBearRG in formulating your approach. 


To submit a proposal, please review the requirements and procedure from NEPCA’s main conference page at https://www.northeastpca.org/conference. Proposals should be approximately 250 words; an academic biographical statement (75 words or less) is also requested. Payment of registration and membership fees will be required to present. More details on exact costs will be forthcoming. 


Direct submissions to the Monsters & the Monstrous Area can be made at https://cfp.sched.com/speaker/sTP9T9X3cW/event. Address any questions or concerns to the area chair at popular.preternaturaliana@gmail.com


Further information on the Monsters & the Monstrous Area can be accessed on our blog Popular Preternaturaliana: Studying the Monstrous in Popular Culture at https://popularpreternaturaliana.blogspot.com/.  

Further information on the Northeast Popular Culture Association (NEPCA) can be accessed from our new website at https://www.northeastpca.org/




Wednesday, May 7, 2025

CFP Sponsored Session - We Live Again! Disney's Gargoyles as an Evolving Transmedia Text (7/15/2025; NEPCA online 10/9-11/2025)

We Live Again! Disney's Gargoyles as an Evolving Transmedia Text

Co-sponsored by the Monsters & the Monstrous Area and Disney Studies Area

Call for Papers for 2025 Virtual Conference of the Northeast Popular Culture Association (NEPCA)

Thursday, 9 October, to Saturday, 11 October, 2025

Submissions are open until Tuesday, 15 July by 5 PM EDT


Conceived by creator Greg Weisman, Disney’s Gargoyles began as a television series in the 1990s and has been expanded over the decades through action figures, books, clothing, collectibles, comics, conventions, fan art, fanfiction, games, puzzles, and recurrent rumors of a live-action reboot. Although now over thirty years old, Gargoyles has remained incredibly popular since its initial debut, yet, while other aspects of Disney Studies are flourishing, scholars have mostly neglected the series. Therefore, we seek in this session to offer some critical attention to Gargoyles and its various adaptations and continuations. 

Proposals should display some knowledge of the history and scope of the series, its adaptation history, and its ongoing evolution. We encourage you to make use of the resource guide provided at https://tinyurl.com/WeLiveAgainRG in formulating your approach. 




To submit a proposal, please review the requirements and procedure from NEPCA’s main conference page at https://www.northeastpca.org/conference. Proposals should be approximately 250 words; an academic biographical statement (75 words or less) is also requested. Payment of registration and membership fees will be required to present. More details on exact costs will be forthcoming. 


Direct submissions to the Monsters & the Monstrous Area can be made at https://cfp.sched.com/speaker/sTP9T9X3cW/event. Address any questions or concerns to the area chair at popular.preternaturaliana@gmail.com


Further information on the Monsters & the Monstrous Area can be accessed on our blog Popular Preternaturaliana: Studying the Monstrous in Popular Culture at https://popularpreternaturaliana.blogspot.com/.  

Further information on the Northeast Popular Culture Association (NEPCA) can be accessed from our new website at https://www.northeastpca.org/




Thursday, February 29, 2024

CFP Gothic Imagination of Walt Disney Studios (2/12/2024)

Sorry to have missed this:

The Gothic Imagination of Walt Disney Studios: Fear, Horror and the Uncanny in the ‘Happiest Place on Earth’

deadline for submissions: February 12, 2024

full name / name of organization: Diana Sandars / University of Melbourne

contact email: sandars@unimelb.edu.au

source: https://call-for-papers.sas.upenn.edu/cfp/2023/12/14/the-gothic-imagination-of-walt-disney-studios-fear-horror-and-the-uncanny-in-the-


“The Gothic Imagination of Walt Disney Studios: Fear, Horror and the Uncanny in the ‘Happiest Place on Earth’.”

Editors A/Prof Allison Craven (James Cook University, Australia) and Dr Diana Sandars (University of Melbourne)


Since the 1920s, in its animated and live-action media, Walt Disney Studios has imagined dark, fearful, and horrifying characters and scenarios amidst the legendary hype of Disneyland as the ‘happiest place on earth’. While a disparate critical literature exists exploring Disney’s darkness (for instance, see Nelson; Allan; Whitley; Philips; Piatti-Farnell), this special issue seeks to examine its potential as a purveyor of Gothic. If the early cinema adapted nineteenth-century Gothic conventions in ways that are largely unchanged (Elferen), Disney’s animated films are among the earliest and most striking examples. Skeleton Dance (1929, among the Silly Symphonies) is a prototype - set in a graveyard, and combining imagery from Gothic melodrama and humour from vaudeville (Piatti-Farnell 2019) - while German Expressionist influences and the growing cultural interest in horror (Allan) became fully fledged in feature animation with the evil Queen in Snow White and the Seven Dwarfs (1937). Many Disney productions since are replete with princesses in Gothic castles (Piatti Farnell) in various states of ruin (see Ross; Swann), or dive into uncanny oceans and submarine worlds (Sandars), or Gothicise quasi-historical dramas, or encompass all range of magical households,Hoffmanesque fantasies, Radcliffian forest dalliances, and the more-than-human sublime. While critique of “Disneyfication” of fairy tales is extensive (Schickel; Zipes), the “Disneyfication” of horror and Gothic in these productions, as well as its theme parks and merchandise, remains under-recognised and under-researched.


We invite papers probing Disney(fication of) Gothic from a range of perspectives to consider its effects, aesthetic and material. Where and when, for instance, do Disney’s practices of adaptation and self-homage (Cecire) impact the Gothic canon? How do iconic creatives like Tim Burton influence Disney Gothic? Where does Disney’s grotesquerie sit within the transgressive range of “body Gothic” (Reyes) in horror literature and film? How do Goth(ic) paratexts of iconic characters in fan cultures disrupt Disney’s branding? How does Disney’s comic horror - from Skeleton Dance to Hotel Transylvania - align with Catherine Spooner’s (2017) notion of ‘happy Gothic’? When are these imaginings merely Disney-esque, and when do they speak to the hauntedness of the human condition? Can the ‘happiest place on earth’, with its ideological penchant for ‘happy endings’ (Craven; Piatti-Farnell 2018), really perpetuate or expand the ‘Gothic imagination’?


We seek abstracts of 250-300 words (plus 50-word author biographies) outlining proposed essays of 6500 words (including notes and references). Send to Allison Craven (allison.craven@jcu.edu.au); or Diana Sandars (sandars@unimelb.edu.au) by 12 February 2024.

 


Works Cited 


Allan, Robin. “European Influences on Early Disney Feature Films.” In A Reader In Animation Studies, edited by Jayne Pilling. Indiana University Press, 1997. pp 241- 60.  


Cecire, Maria Sachiko, “Reality Remixed: Neomedieval Princess Culture in Disney’s Enchanted,” in The Disney Middle Ages: A Fairy-tale and Fantasy Past, edited by Tison Pugh & Susan Aronstein. Palgrave Macmillan, 2012. p243 - 259


Craven, Allison. Fairy Tale Interrupted: Feminisms, Masculinities and Wonder Cinema. Peter Lang, 2017.


Elferen, Isabella Van. Gothic Music: The Sounds of the Uncanny, University of Wales Press, 2012.  


Nelson, Thomas A. “Darkness in the Disney Look.” Literature/Film Quarterly, vol. 6, no. 2, 1978, pp. 94–103. JSTOR, http://www.jstor.org/stable/43795664.  


Philips, Deborah. Fairground Attractions: a Genealogy of the Pleasure Ground. Bloomsbury, 2012.


Piatti-Farnell, Lorna, ed. Gothic Afterlives: Reincarnations of Horror in Film and Popular Media. Lexington Books, 2019. 


Piatti-Farnell, “Blood Flows Freely: The Horror of Classic Fairy Tales.” In The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine & Laura Kremmel. Palgrave Macmillan, 2018. pp. 91 -100.


Reyes, Xavier Aldana. Body Gothic–Corporeal Transgression in Contemporary Literature and Film. University of Wales Press, 2014


Ross, Deborah. “Escape from Wonderland: Disney and the Female Imagination.” Marvels & Tales, vol. 18, no. 1, 2004, pp. 53–66.  


Sandars, Diana. “Wayfinding and Finding a Way to Intercultural Storytelling in Moana: Charting Disney’s Gothic in an Oceanic Creation Story.” In Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge. (Forthcoming 2024).


Schickel, Richard. The Disney Version: The Life, Times, Art and Commerce of Walt Disney. Simon and Schuster,1968.


Spooner, Catherine. Post-millennial Gothic: Comedy, Romance and the Rise of Happy Gothic. Bloomsbury, 2017.


Swan, Susan Z. “Gothic drama in Disney's Beauty and the Beast: Subverting Traditional Romance by Transcending the Animal‐human Paradox”. Critical Studies in Media Communication, vol. 16, no.3, 1999, pp. 350-369. 


Whitley, David. The Idea of Nature in Disney Animation. Ashgate, 2008.


Zipes, Jack. The Enchanted Screen: The Unknown History of Fairy-Tale Films. Routledge, 2011.


Last updated December 15, 2023

This CFP has been viewed 1,042 times.


Sunday, December 12, 2021

CFP The Mouse’s Monsters at PCA (12/23/2021; PCA Virtual 4/13-16/2021)

The Mouse’s Monsters at PCA: Further Examples of Monsters and the Monstrous in the Worlds of Disney

Sponsored Session Proposed for the 2022 Virtual Conference of the Popular Culture Association

Sponsored by the Monsters & the Monstrous Area and the Disney Studies Areas of the Northeast Popular Culture/American Culture Association for PCA’s Disney Studies Special Topic Area.

Virtual event: 13-16 April 2022.

Proposals due by 21 January 2022 (UPDATED).

 

At its 2021 Virtual Conference, the Monsters & the Monstrous Area and the Disney Studies Areas of the Northeast Popular Culture/American Culture Association (a.k.a. NEPCA) organized three successful sessions on the theme of monsters and the monstrous in the fictional worlds of the Walt Disney Company.

We’d like to continue to build on those investigations this coming spring at the national meeting of the Popular Culture Association (a.k.a. PCA) and to also help support the PCA’s new Disney Studies Special Topic Area.

For this session, we’re most interested in proposals related to representations of monsters and the monstrous in the traditional Disney brand and in Pixar, but papers related to more recent properties and acquisitions (for example ABC, ABC Family/Freeform, Hulu, Lucasfilm, Marvel, the Muppets, Saban Entertainment, and Twentieth Century Fox) can be also be valid approaches. All submissions will also be considered for inclusion in a collection of essays based on the topic.

 

Potential topics might include the following:

  • Adaptations of classic monster stories.
  • Aliens.
  • Animals as monsters.
  • Attractions.
  • Bad dreams.
  • Communities of monsters.
  • Constructs.
  • Cryptids.
  • Curses.
  • Dinosaurs.
  • Disguises.
  • Disney as monstrous.
  • Disney Villains.
  • Gargoyles.
  • Ghosts.
  • Halloween.
  • Halloween-themed productions.
  • Haunted houses (and mansions)
  • Horror-themed productions.
  • Human “monsters”.
  • Imaginary creatures.
  • Legendary creatures.
  • Magical creatures.
  • Magic-users.
  • Othered individuals.
  • Reanimated dead.
  • Shape-shifters.
  • Technology and monsters.
  • Undead/zombies.
  • Underworld and other realms of the dead.
  • Vampires.
  • Weather-related monsters.
  • Witchcraft/witches and wizards.

 

If you are interested in joining this session, please submit your information into PCA’s online system at https://pcaaca.org/conference/submitting-paper-proposal-pca-conference. You’ll need to create a profile and upload a biographical statement AND join the PCA for the coming year before the system will allow you to reach the proposal screen. Be sure to select “Disney Studies” as the area for your paper. Proposals should be about 250 words.

Please also send a copy of your proposal to the session organizers, so we can keep track of them: Michael A. Torregrossa (NEPCA’s Monsters & the Monstrous Area Chair) at popular.preternaturaliana@gmail.com and Priscilla Hobbs (NEPCA’s Disney Studies Area Chair) at p.hobbs-penn@snhu.edu.

Further details on PCA’s Disney Studies Special Topic Area can be found at https://pcaaca.org/area/disney-studies-special-topic-2022.

NEPCA’s Monsters & the Monstrous Area maintains a blog at https://popularpreternaturaliana.blogspot.com/.

 

 

 

Tuesday, October 19, 2021

NEPCA Monsters Area 2021 Sessions

NEPCA Monsters Area 2021

Northeast Popular Culture Association Annual Conference October 21-23, 2021

Current Draft - Updated 10/13/2021

(registration information and full schedule at https://nepca.blog/conference/)

 

THURSDAY, 10/21

SESSION #1 (3:30-4:15 PM): Monsters and the Monstrous 1

Monsters on Screen (Session Chair: Angela Whyland)

The Hillbilly Image in Television and Film - Whitney Snow, Midwestern State University

Whitney Snow, Associate Professor, specializes in the Twentieth-Century South. Her main interests are agricultural, environmental, and labor history although she does have a penchant for pop culture. After earning her Bachelor of Arts degree and Master of Arts degree from the University of Alabama in Huntsville, she received her doctorate from Mississippi State University. Her work has appeared in peer-reviewed journals ranging from The Alabama Review and The Southwestern Historical Quarterly to Textile: The Journal of Cloth and Culture and Forests, Trees and Livelihoods. She is the author of the book Cathedral Caverns (Arcadia, 2017) and co-author of both Lake Guntersville (Arcadia, 2018) and Guntersville (Arcadia, 2021). She edited The Civil War Diaries of Cassie Fennell: A Young Confederate Woman in North Alabama, 1859-1865 (University of Tennessee Press, 2020) and Alabama Bill and the Bowery (Subury, 2020). She is currently editing the World War II diaries of sailor Carlos McGowin.

Viewing the A Nightmare on Elm Street Films as Action Movies - Shane Hesketh, Bowling Green State University

Shane Hesketh graduated with his Bachelor's in Humanities with a concentration in Film Studies from Florida State University and is now pursuing his Master's in Popular Culture from Bowling Green State University. His research interests include the slasher subgenre, the James Bond series, Buffy the Vampire Slayer, and comparative studies within major film franchises. His future plans include pursuing his PhD in a Film Studies related field and teaching as a career.

“Get Away, You Idiots!” Imperial Terror in The Thing - Bridget Keown, University of Pittsburgh

Dr. Keown is a lecturer in the Gender, Sexuality, and Women Studies Program at the University of Pittsburgh, where she is also a member of the interdisciplinary Horror Studies Working Group. Her research focuses on the experience and portrayal of gendered trauma in the 20th century.

 

SESSION #2 (4:30-5:45 PM): Monsters and the Monstrous 2

Intersectionality in Horror (Panel Presentation) (Session Chair: Angela Whyland)

Disabled Slasher Villains - Kathryn Heale, Clark University

Kathryn Healey is a sophomore at Clark University planning to double major in Psychology and Philosophy. She takes great interest in the unusual and the macabre, and frequently consumes horror media. She is a strong believer in thinking critically about the media we consume and uplifting formerly silenced voices in art.

Lesbians as Villains in Horror - Shay Sotelo, Clark University

Shay Sotelo is an undergraduate student in Psychology and Women and Gender studies at Clark University who is passionate about gender, sex, and sexuality issues and how these affect mental health on an individual and societal scale. She is also enthusiastic about watching horror and thriller films and analyzing meaning through the lenses of psychology, queer studies, and gender studies.

Transgender and Gender Nonconforming Representation in Horror - Mia Swartz, Clark University

Mia Swartz is a senior at Clark University double majoring in French & Francophone Studies and Art History. She is a Co-Director and President of Choices, Clark’s on-campus peer sexual health resource that strives to provide the campus community with sexual health information, safer sex supplies, and education regarding informed choices about sex and healthy relationships. Aside from sexual health, she is passionate about art, education, and appreciating the horror genre through a critical lens.

Sexploitation and Trashy Horror - Haley Reash-Henz, Clark University

Haley Reash-Henz (they/them/theirs) is an undergraduate student at Clark University majoring in Women's and Gender Studies. They have focused their studies on reproductive healthcare, sexual liberation and politics, and queer theory. As an avid lover of all things scary, campy, and sexy, Haley delves into their favorite sources of popular culture by applying queer, feminist, anti-racist theories to examine how we shape and are shaped by the popular culture we love and hate so much.

 

SESSION #3 (6:30-7:15 PM): Monsters and the Monstrous 3

Mutants & Miscreants (Panel Presentation) (Session Chair: Michael Torregrossa)

The Color of Evil: Decoding Disney Through the Monstering and Racialization of Villains - Natalya Loughrin, Clark University

Natalya Loughrin is Swiss/American and moved to Massachusetts to attend Clark University. She is currently a Sophomore majoring in Sociology, minoring in History with plans to go into the criminological field.

It's Alive!: How War-time Horror Expressed & Exploits Inequality - Mallory Trainor, Clark University

Mallory Trainor is a junior at Clark University. She is currently majoring in International Development and Social Change. This will be her second year presenting at NEPCA.

Loosening the Flesh: Aging & Dementia in Horror - Jacqueline Morrill, Clark University

Jacqueline Morrill is a writing professor at Clark University and Worcester State University. She holds an MFA in poetry from Sarah Lawrence College; her course load focuses specifically on the horror genre of film and literature.

 

SESSION #4 (7:30-8:45 PM): Monsters and the Monstrous 4

Lovecraft and His Monsters (Session Chair: Lance Eaton)

H.P. Lovecraft and Linguistic Aesthetics - Perry Harrison, Fort Hays State University

Perry Neil Harrison is an Assistant Professor and the Director of Graduate Studies in the English Department at Fort Hays State University, where he teaches classes in linguistics, the history of the English language, and medieval literature. He received a PhD from Baylor University in 2018, and his medieval scholarship appears in venues such as Modern Philology and Neophilologus. In addition to his work in Medieval Studies, Perry also publishes on the the writings of H.P. Lovecraft and the historical practice of Anthropodermic Bibliopegy - the binding of books in human skin. His scholarship on these subjects can be found in Lovecraftian Proceedings, Notes & Queries, and the collection Flaying in the Pre-Modern World.

80 Years of ‘Co(s)mic Horror’: Lovecraft in Comics and Comic Art from the 1940s to Today - Michael Torregrossa, Independent Scholar

Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs) and works as an adjunct instructor in English in both Rhode Island and Massachusetts. His research focuses on popular culture’s adaptation and appropriation of literary classics, including the Arthurian legend, Beowulf, Dracula, and Frankenstein. In addition, Michael is the founder of The Alliance for the Promotion of Research on the Matter of Britain and The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture; he also serves as editor for these organizations' various blogs and moderator of their discussion lists. Besides these activities, Michael is also active in the Northeast Popular Culture/American Culture Association and organizes sessions for their annual conference in the fall. Michael is currently Monsters and the Monstrous Area Chair for NEPCA, but he previously served as its Fantastic (Fantasy, Science Fiction, and Horror) Area Chair, a position he held from 2009-2018.

 

 

FRIDAY, 10/22

SESSION #1 (1-2:15 PM): Monsters and the Monstrous 5

Monsters of Beowulf: Past, Present, Future (Session Chair: Derya Agis)

The Pain that Humanizes: Lynd Ward's Images of Beowulf - Cortney Berg, City University of New York

Cortney Berg received a master’s degree in art history from Arizona State University in 2020, and is currently pursuing a PhD in art history at the City University of New York. She is focused on the visual arts of the European medieval period, and has worked on issues of sex and gender in manuscript images, the intersection between text and image, monstrous depictions, and interactions with the broader global medieval world.

Grendel: Echoes of a Pitifully Victimized Monster - Tyler Burdick, Independent Scholar

Tyler Burdick is a graduate of Fordham University and New York University’s Graduate School of Arts and Science. He has closely studied English and American Literature and creative writing, and has a deep interest in many genres of Western literature including Romanticism, crime fiction, and Victorian literature. He is currently based in New York.

Monster or Loving Mother: Grendel's Mother in Graphic Novels - J. Katharine Burton, University of South Florida

I am a third year PhD student in English Literature with primary interest areas in children’s literature, fairy tales/fantasy, with a special emphasis in adaptations of the classics in English literature in new literary forms for younger audiences. In exploring literary aspects of these adaptations, I focus on how the interaction of text and visual materials impacts meaning. I have a Master of Arts in English Literature from USF and a Bachelor’s in English Literature from the University of Oklahoma. I also hold two other Masters: a Master of Arts in Administrative Science focusing on Management Information Systems at George Washington University; and a Master of Science in National Security Strategies from the National Defense University with a certificate in Information Strategies.

Monstrosity and Gender in Children's Beowulfiana - Benjamin Hoover, California State University Long Beach

Benjamin is a third-year graduate student in English at California State University Long Beach. He has presented on the reception of medieval literature in popular culture and on theoretical approaches to chivalric identities.

 

SESSION #2 (2:30-3:45 PM): Monsters and the Monstrous 6

(Re)Making the Monster (Panel Presentation) (Session Chair: Lance)

“Perfectly Monstrous Weather”: The History of Meteorological Terror - Christopher Gilson, Northwestern State University

Dr. Christopher Gilson is Associate Professor of History at Northwestern State University of Louisiana. Dr. Gilson earned the PhD in History at Texas A&M University, completing the dissertation “Strange and Terrible Wonders: Climate Change in the Early Modern World.” An active researcher, Dr. Gilson studies the relationship between climate and history, particularly during the Little Ice Age of 1550-1850. Current research projects focus on early modern climate change and the environmental and landscape history of the American South.

Look Again: Examining the Victorian Monster in the Mirror - Katie Magana, Northwestern State University

Dr. Katie Magaña researches science, the supernatural, and the intersection of the two in Victorian popular literature. She has an additional interest in rediscovering lost novels that were popular in the nineteenth century and the legacy of influence that those works have on our contemporary, YA literature. She holds a PhD in English Literature from Victoria University of Wellington (New Zealand) and is an Associate Fellow with HEA of the UK. Dr. Magaña is an Adjunct Instructor of English at Northwestern State University and still hopeful that she will find a full-time position for the fall.

Monstrous Self-Management: Pratchett’s Count de Magpyr and the Appeal for Sympathy - Catherine Joule, Victoria University of Wellington

Dr. Catherine Joule recently graduated with her PhD in English Literature from Victoria University of Wellington (New Zealand). Her doctoral thesis, By the Strength of Their Enemies: The Virtue of the Stereotypical Antagonist in Terry Pratchett’s ‘Witches’ Novels focuses on Pratchett’s use of stereotypes in grounding the moral arguments of his ‘witches’ sequence of Discworld novels. Dr Joule’s interests include Pratchettian studies, Shakespearean studies, genre fiction, and postmodern fiction. She has taught classes on genre and literary history, and guest lectured on Shakespeare and Early Modern poetry. She is currently an independent scholar pursuing academic postings for the 2022/2023 year.

Monsters and Revenants in Southeast Texas and Louisiana Oral Folk Narratives - Lisa Abney, Northwestern State University

Dr. Lisa Abney is a Professor of English at Northwestern State University. Her research interests include oral folk narratives, literature of the American South, and sociolinguistics. She is the Principal Investigator for the Linguistic Survey of North Louisiana and served as the Director of the Louisiana Folklife Center at Northwestern State University. Along with her ongoing research related to the Linguistic Survey, her current research focuses upon narratives of world of work and in particular, women’s narratives about their work lives.

 

SESSION #3 (4-5:15 PM): Monsters and the Monstrous 7

Legends and Lore of Northeastern Monsters (Session Chair: Michael Torregrossa)

New England’s Monstrous Black Dogs - Faye Ringel, U.S. Coast Guard Academy, Professor Emerita

Faye Ringel is Professor Emerita of Humanities, U.S. Coast Guard Academy, New London CT. She is the author of New England's Gothic Literature: History and Folklore of the Supernatural (E. Mellen, 1995). Its sequel, The Gothic Literature and History of New England: Secrets of the Restless Dead will be published in November by Anthem Press. She has also published on (among other subjects) New England vampires, urban fantasy, Lovecraft, King, Tolkien, Yiddish folklore, and The Three Stooges. She is the former chair of the former Fantastic Literature area of and presented at last year’s virtual conference and many in-person NEPCA conferences. Her CD of traditional music with fiddler Bob Thurston is Hot Chestnuts: Old Songs, Endearing Charms. Before the Pestilence, she used to perform with the Klezmer band Klezmenschen, do cabaret with the Chelsea Players, and produce theater at the Norwich Arts Center in Norwich, CT.

Something Slithers in the Wilds of Watertown - Michael Bielawa, The Barnum Museum

Award-winning author and historian Michael Bielawa is well-versed in New England’s supernatural heritage. His explorations to northeast America’s most mysterious and sacred sites have resulted in numerous books and articles, including Wicked Bridgeport (which received the first-ever New England Paranormal Literary Award) as well as, Wicked New Haven. Bielawa has proudly presented at NEPCA and Necronomicon; and his essays appear in Lovecraft Proceedings 4, the Edgar Allan Poe Review, Fortean Times, FATE Magazine, and Connecticut Magazine. Mike’s research concerning the origins of the Men In Black has been highlighted in the Italian paranormal journal, XTimes. A frequent guest on radio and television, Bielawa enjoys celebrating New England’s unique character; his efforts in actively preserving the region’s history have been featured in The New York Times, the Washington Post and the Wall Street Journal. Each autumn Bielawa leads his dark history tours, Wicked Walks, for The Barnum Museum where he serves as Special Lecturer and Consultant.

Lovecraft and Local Legends - Edward Guimont, Bristol Community College

Edward Guimont is assistant professor of world history at Bristol Community College in Fall River, Massachusetts. He received his PhD in history from the University of Connecticut. His scholarship has appeared in publications including The British Journal for the History of Science, The Tufts Historical Review, Contingent, and Lovecraftian Proceedings.

 

 

SATURDAY, 10/23

SESSION #1 (9-10:15 AM): The Mouse’s Monsters #1

Monsters and the Monstrous in the Worlds of Disney 1 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Disney’s Material Monstrosities: Audio-animatronics - Carissa Baker, University of Central Florida

Carissa Baker is an Assistant Professor of Theme Park and Attraction Management at the University of Central Florida (UCF) in Orlando, FL. She received her Ph.D. in Texts and Technology from UCF. Her primary research focuses on narratives in the theme park space, drawing on her BA and MA in Literature. In addition to academic conferences, she presents at themed entertainment industry events and publishes on various aspects of theme parks. Dr. Baker has taught in China and had two stints as a visiting scholar at Breda University of Applied Sciences in the Netherlands.

The Transformation of the “Brilliant and Mad” into a Monster - Frchkoska Leni, University of St. Cyril and Methodius

Enrolled in doctoral studies at the University Ss. Cyril and Methodius in Skopje, N. Macedonia at the Department of General and Comparative Literature on a topic with a focus on the theory of power and (re) production of ideology through art form for children and youth. I graduated at the same department on the theme of ‘Psychoanalytic Aspects of Literature and Film’ and received my master’s degree in 2013 on the topic ‘Psychoanalytic elements of the fairy tale and its presence in contemporary culture’.

 

SESSION #2 (10:30-11:45): The Mouse’s Monsters #2

Monsters and the Monstrous in the Worlds of Disney 2 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

The Excessive Excessiveness of Oogie Boogie - Philip Serrato, San Diego State University

Phillip Serrato is Associate Professor of English & Comparative Literature at San Diego State University. His teaching and research interests include gothic & horror studies, Chicanx literary & cultural studies, and children's and young adult literature.

Animals/Monsters/Humans: Disney, Disability and Liminality - Rachel Milne, University of Glasgow

Rachel Milne is a graduate of Media Studies at Queen Margaret University in Edinburgh. Her research interests lie in queer theory, disability studies and children’s media, with an interdisciplinary focus on literature and film. Her undergraduate thesis centred around representations of disability and ‘othering’ in Disney animations for children, and her forthcoming article “The Beautiful and the Damned: Depictions of Scottish Childhoods in Small Deaths and Gasman” investigates the representation of working-class female childhoods in films by the Scottish director Lynne Ramsay.

Pixar’s Post-human Counter-gaze in the Toy Story films - Sutirtho Roy, The University of Calcutta

Sutirtho Roy, currently pursuing an MA degree in English Language and Literature at the University of Calcutta, has earned his Bachelor of Arts Degree with a First Class from the same institution, while also ranking first in his college. He had further passed his tenth grade with an aggregate of 96% and his twelfth with 91%. He has co-authored an anthology of poetry and written a novel, which has garnered positive reviews from several websites including Inkitt and Webnovel. Furthermore, he had won several gold and silver medals at Olympiads, secured the third rank in a state-wide essay contest regarding the ills of drug abuse and bagged a prize at a quiz contest organized by Oxford. His papers have also been selected for presentation at national and international seminars, including Brit Grad 2021, as well as renowned international journals. When not invested in canonical studies, he likes to analyse popular culture, and aims to pursue his future studies in critical animal studies and post-humanism. Currently, he freelances at several content writing firms.

 

SESSION #3 (12-1:15 PM): The Mouse’s Monsters #3

Monsters and the Monstrous in the Worlds of Disney 3 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Snow, Glass, Apples as Generic Study of the Gothic Fairytale - Sarah Madoka Currie, University of Waterloo

Sarah Madoka Currie 「くり窓花」is a doctoral candidate of the University of Waterloo, Canada, interested in the intersectionalities and deconstructive potential of higher education pedagogical strategies & sociocultural theorizations of psychosocial dis/ability via the North American Mad Movement. Through compassionate interactionism and leveraging of social determinants and other humanities-bent formulations of postmodern healthcare policy, Sarah envisions a professoriate that seeks to normalize everyday activism beyond the traditional dis/ability paradigm. She has spoken on critical pedagogy, critical dis/ability theory, compassionate/empathic potentialities and literary poststructuralist theory crafting in Interdisciplinary Humanities and Mosaic; as well as multilingual international conference events in Japan, France, UK, America, Canada, India and Wales.

"I'm the witch, you're the world": Disney's Witches - Chloe Carroll, University of Limerick

Throughout my BA and MA I have pursued studies of magical women, film and television, and their histories. My current PhD research involves the image of the witch throughout film and television, and how the gendered identity has existed in waves and is currently undergoing a new transformation. My MA thesis, ‘The Handmaid’s Tale from Ronald to Donald: A Feminist Analysis’, led me to further discussons on equality and the persecution of women revived from history to serve a renewed purpose for the screen. My research interests focus on the cultural value of monsters and their representations.

The Magic of Disney: Monsterized Witches & Good Fairies - Richard Fahey, University of Notre Dame

Richard Fahey recently graduated from University of Notre Dame with a PhD in English (2020) and currently works as Blog Manager & Contributor at the Medieval Institute’s Medieval Studies Research Blog, and as Managing Book Review Editor for Religion & Literature at Notre Dame. Richard specializes in Old English, Middle English, Old Norse-Icelandic, Old Saxon and Latin literature, and his research interests include medieval wonders, monsters, riddles, heroism, syncretism, allegory, medievalism and public humanities. Richard is currently working on transforming his recent dissertation into a monograph, titled "Psychomachic Monstrosity in Beowulf" and he is also putting together an edited collection on "White Wizard Male Privilege" for Lexington Books.

Two Steps Forward, One Step Back: Disney Monsters and Racism - Chelsea Criez, Ace Charter High School

Chelsea Criez currently lives in the San Francisco Bay Area with her husband and two dogs where she teaches high school English to multilingual and immigrant students. Last year, she earned a Master’s degree in English and Comparative Literature from San Jose State University and hopes to earn a PhD in English and teach higher education English composition and literature.