Sunday, December 12, 2021

CFP The Mouse’s Monsters at PCA (12/23/2021; PCA Virtual 4/13-16/2021)

The Mouse’s Monsters at PCA: Further Examples of Monsters and the Monstrous in the Worlds of Disney

Sponsored Session Proposed for the 2022 Virtual Conference of the Popular Culture Association

Sponsored by the Monsters & the Monstrous Area and the Disney Studies Areas of the Northeast Popular Culture/American Culture Association for PCA’s Disney Studies Special Topic Area.

Virtual event: 13-16 April 2022.

Proposals due by 21 January 2022 (UPDATED).

 

At its 2021 Virtual Conference, the Monsters & the Monstrous Area and the Disney Studies Areas of the Northeast Popular Culture/American Culture Association (a.k.a. NEPCA) organized three successful sessions on the theme of monsters and the monstrous in the fictional worlds of the Walt Disney Company.

We’d like to continue to build on those investigations this coming spring at the national meeting of the Popular Culture Association (a.k.a. PCA) and to also help support the PCA’s new Disney Studies Special Topic Area.

For this session, we’re most interested in proposals related to representations of monsters and the monstrous in the traditional Disney brand and in Pixar, but papers related to more recent properties and acquisitions (for example ABC, ABC Family/Freeform, Hulu, Lucasfilm, Marvel, the Muppets, Saban Entertainment, and Twentieth Century Fox) can be also be valid approaches. All submissions will also be considered for inclusion in a collection of essays based on the topic.

 

Potential topics might include the following:

  • Adaptations of classic monster stories.
  • Aliens.
  • Animals as monsters.
  • Attractions.
  • Bad dreams.
  • Communities of monsters.
  • Constructs.
  • Cryptids.
  • Curses.
  • Dinosaurs.
  • Disguises.
  • Disney as monstrous.
  • Disney Villains.
  • Gargoyles.
  • Ghosts.
  • Halloween.
  • Halloween-themed productions.
  • Haunted houses (and mansions)
  • Horror-themed productions.
  • Human “monsters”.
  • Imaginary creatures.
  • Legendary creatures.
  • Magical creatures.
  • Magic-users.
  • Othered individuals.
  • Reanimated dead.
  • Shape-shifters.
  • Technology and monsters.
  • Undead/zombies.
  • Underworld and other realms of the dead.
  • Vampires.
  • Weather-related monsters.
  • Witchcraft/witches and wizards.

 

If you are interested in joining this session, please submit your information into PCA’s online system at https://pcaaca.org/conference/submitting-paper-proposal-pca-conference. You’ll need to create a profile and upload a biographical statement AND join the PCA for the coming year before the system will allow you to reach the proposal screen. Be sure to select “Disney Studies” as the area for your paper. Proposals should be about 250 words.

Please also send a copy of your proposal to the session organizers, so we can keep track of them: Michael A. Torregrossa (NEPCA’s Monsters & the Monstrous Area Chair) at popular.preternaturaliana@gmail.com and Priscilla Hobbs (NEPCA’s Disney Studies Area Chair) at p.hobbs-penn@snhu.edu.

Further details on PCA’s Disney Studies Special Topic Area can be found at https://pcaaca.org/area/disney-studies-special-topic-2022.

NEPCA’s Monsters & the Monstrous Area maintains a blog at https://popularpreternaturaliana.blogspot.com/.

 

 

 

Thursday, December 2, 2021

CFP Premodern Otherness (Spec Issue of Otherness: Essays and Studies) (2/1/2022)

Special Issue: Premodern Otherness (Otherness: Essays and Studies 9.1)


deadline for submissions: February 1, 2022


full name / name of organization: Centre for Studies in Otherness


contact email: engms@cc.au.dk


Source: https://call-for-papers.sas.upenn.edu/cfp/2021/11/24/special-issue-premodern-otherness-otherness-essays-and-studies-91



The peer-reviewed, open-access e-journal Otherness: Essays and Studies is now accepting submissions for its special issue: Premodern Otherness: Encounters with and Expressions of the Other in Classical Antiquity, Medieval, and Early Modern Periods, Autumn 2022.



Otherness: Essays and Studies publishes research articles from and across different scholarly disciplines that critically examine the concepts of Otherness and alterity. We particularly appreciate dynamic cross-disciplinary study.



This special issue will focus on representations and ideas of Otherness in classical antiquity, medieval, and early modern periods. Confrontations with and distinctive conceptualizations of Otherness were also present in the premodern era. The papers in this issue will focus on the different ways in which Otherness was expressed in thought, representations, and processes during this period. This can include but is not limited to, philosophical or literary works, material culture, historiography, treatises, etc.



Thinking about Otherness is not limited to contemporary identity politics nor Orientalism in the modern era. Socrates based his anamnesis principle, the idea that we have known everything in a previous life but have simply forgotten it, on his questioning how to deal with the Other and the unknown. However, the relevance of this theory and other premodern thoughts and texts on Otherness is often overlooked. When we discuss Otherness today, we mention modern thinkers such as Levinas or Derrida and might then discount the role Socrates and other premodern philosophers have had. The ideas of ancient thinkers have long remained relevant throughout the Middle Ages too and left their traces in the cultural production of that period and beyond. Think, for example, of the interactions in the Old English poem Beowulf between the monster Grendel and his surroundings, or encounters with the Faƫrie in Arthurian romances. The way in which these unnatural or unfamiliar phenomena are treated can generate fruitful discussions when it comes to Otherness and how it has been conceptualized through time. How can we now study and interpret these traces and what exactly are they? How are the encounters with Otherness or the Other visualised, presented, and described in premodern artwork or treatises? What can we learn from looking at representations of Otherness in the past and use those in our own dealings with Otherness now?



For this special issue of Otherness: Essays and Studies, we invite papers that explore representations and conceptualisations of the Other in the premodern period. These representations can be historiographical, literary, architectural, artistic, or interdisciplinary. We seek practice-led research outcomes, cross-disciplinary theoretical considerations, conceptualizations and theory formations and critical and analytical readings of source material.



Welcome topics include but are not limited to:

  • Representation and Reception of Otherness in Classical and Medieval Philosophy
  • Translation of Otherness in Premodern Literature
  • Theoretical Frameworks for Premodern Alterity
  • Framing the Other in Premodern Historiographical Texts
  • Representations of the Other in Premodern Material Culture
  • Spatial Practices in the Premodern Periods and the Other
  • Encounters with Monstrosities in Premodern Art
  • The Treatment of Women in Premodern Texts
  • Marginalisation of Race in Premodern Treatises




Articles should be between 5,000 – 8,000 words. All electronic submissions should be sent via email with Word document attachment formatted to Chicago Manual of Style standards to the guest editor Bregje Hoed at Otherness.research@gmail.com



Further information: http://www.Otherness.dk/journal/



The deadline for submissions is 1 February 2022.

 Last updated December 1, 2021 

 

Sunday, November 28, 2021

CFP Ghostbusters--A Companion (2/28/2022)

Ghostbusters – A Companion

deadline for submissions: February 28, 2022

full name / name of organization: 

Simon Bacon, series editor; Cathleen Allyn Conway, collection editor; Peter Lang, Oxford

contact email: conwaycat@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2021/11/17/ghostbusters-%E2%80%93-a-companion


Call for Papers: Ghostbusters – A Companion The release of Ghostbusters: Afterlife, the fourth installment coming almost 40 years after the original Ghostbusters film, prompts inquiry into this beloved and oftentimes fraught film franchise. While the original and (and its sequel) was a paean to academics becoming the working class heroes who act as the ghost janitors of New York City, the third and fourth films, reimagined with new casts, have become a battleground for who ‘owns’ nostalgia, and have acted as meta-commentaries on the question. As Charles Bramesco wrote in his Guardian review of Ghostbusters: Afterlife, “Perhaps it’s appropriate and telling that the 2021 incarnation of an 80s artifact would be imbued with all the issues most endemic to the current studio release. Here, we can find a damning summary of modern Hollywood’s default mode – a nostalgia object, drained of personality and fitted into a dully palatable mold, custom-made for a fandom that worships everything and respects nothing.” We are asking for essays of 2,500 words that frame a theoretical aspect of the cultural role Ghostbusters plays by centering on one text, whether literary or cinematic, to use as a lens to look at the wider topic. The essays themselves should be accessible but address the big ideas, placing Ghostbusters into cultural and historical context. We are specifically interested in the intersections of gender, race, class, disability and LGBT+ concerns with the franchise, its tie-ins and extended universe. We are particularly interested in hearing from scholars from marginalised groups. We prioritise Own Voices and encourage you to self-identify in your bio for this purpose. The proposed Companion will be divided into several sections. The topics in each section may include but are not limited to the following, with understanding there is room for crossover: 

Films

  • Ghostbusters (1984)
  • Ghostbusters 2 (1989)
  • Ghostbusters: Answer the Call (2016)
  • Ghostbusters: Afterlife (2021)
  • Plus: All soundtracks, trailers, deleted scenes, directors’ commentaries, and tie-in shorts related to the theatrical and home video release of all four films. 

Extended Universe

  • Animated series
  • Comics and graphic novel adaptations and new series

Multimedia tie-ins

  • Gaming: board games, video games, handhelds, card games, role playing
  • Fan fiction: film, art, music 

Fandom

  • Live meetups and regional fan groups
  • Cosplay, costume and prop makers
  • Model builders and automobile restoration enthusiasts
  • Small business tie-ins
  • Ghost hunters 

Merchandising/licensing

  • Food tie-ins and merchandisingVintage toy collectors
  • Licensing
  • Pin Trading
  • Ghostbusters cameos/callbacks/references in other media 


Please send 300 word abstracts and a 50-word bio to editor Cathleen Allyn Conway (conwaycat@gmail.com) by 28 February 2022 for consideration in the collection, which will be part of the Peter Lang, Oxford Genre, Literature and Film Companion Series.


Last updated November 19, 2021



CFP Journal of Gods and Monsters Upcoming Special Issues (3/15/2022)

CFP Journal of Gods and Monsters Upcoming Special Issues

source: https://www.theofantastique.com/2021/10/18/cfp-journal-of-gods-and-monsters-special-issues/


The Journal of Gods and Monsters is a peer-reviewed, open access journal that seeks to explore the connections between the sacred and the monstrous. “Religion” can refer to the world’s religious traditions or to ideas that are religious in a substantive sense, such as God, demons, or death and the afterlife.   However, the journal will also consider articles that explore the “religious” dimension of culture in a functional sense as relating to values, myths, and rituals.


Special Issue #1: Religion, Monstrosity, and the Paranormal


Lead Issue Editor: John Morehead


Deadline for Submission: March 15, 2022


Although typically dismissed and viewed as fringe phenomena by scholars, the paranormal is enduring. The Chapman University Survey of American Fears, which includes survey data on paranormal beliefs, those phenomena at odds with mainstream science and orthodox religion, reported in 2018 that large numbers of people find the paranormal of interest. Some 58% believe that places can be haunted by spirits, 57% believe in lost ancient civilizations like Atlantis, and 41% believe aliens once visited the earth in the ancient past. The paranormal often functions as a source of transcendence and meaning for people, even as it draws upon various forms of monstrosity. We would like to produce a theme issue of the journal on the paranormal intersecting with monstrosity and religion.



Special Issue #2: Candyman


Guest Editor: Joseph P. Laycock


Deadline for Submission: March 15, 2022


The Journal of Gods and Monsters seeks papers for a special issue on Candyman, to be guest edited by Joseph Laycock.  We especially seek papers interpreting the 2021 film directed by Nia DeCosta.  However, we also encourage papers that consider the previous films (1992, 1995, and 1999), as well as Clive Barker’s original story “The Forbidden” (1985).


Some possible angles of analysis might include:


  • The significance of ritual and summoning in the Candyman mythos
  • Candyman as monstrous object of horror and/or prophetic agent of justice
  • The nature and function of narrative and folklore in the Candyman mythos
  • Candyman as object of worship
  • The intersection of the monstrous with anxieties over race and (in 1992 film) miscegenation
  • How the religious dimension of the BLM movement has influenced the Candyman mythos
  • Themes of damnation, destiny, and the Gothic in Candyman


Submissions for BOTH special issues:


Proposals should be submitted directly to the journal via its online system, but authors may reach out to the guest editor for more information or to submit a 250-word abstract.


Submissions for both issues should be scholarly in nature, between 5000 and 10000 words, and are requested by March 15, 2022 (submissions after this date will be considered for future issues). We encourage submissions from all disciplines, geographic areas, and time periods. Articles should be submitted via the online system at https://godsandmonsters-ojs-txstate.tdl.org after registration. In the case of questions please contact the editorial team at editorsJGM@gmail.com or at their professional email addresses. Please reach out to John Morehead and Joseph Laycock individually with specific questions or concerns on each special issue.


To inquire regarding book or media reviews for either special issue, please contact Brandon Grafius (bgrafius@etseminary.edu).



Wednesday, November 17, 2021

CFP The Exorcist: Studies on Possession, Influence, and Society (due date 10/31/2021)

Sorry to have missed posting this earlier:


The Exorcist: Studies on Possession, Influence, and Society

 

deadline for submissions: October 31, 2021


full name / name of organization: Revenant: Critical and Creative Studies of the Supernatural


contact email: cuevae@uhd.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2021/04/11/the-exorcist-studies-on-possession-influence-and-society


 

Special Edition of Revenant:

The Exorcist: Studies on Possession, Influence, and Society”

Deadline for abstract submissions: October 31, 2021

Guest Editors: Edmund P. Cueva (University of Houston-Downtown) and Nadia Scippacercola (UniversitĆ  degli Studi di Napoli Federico II)

The Exorcist, both as a book and film, has had a lasting influence beyond the world of horror. It is essentially a foundational, multivalent work: on the one hand, it helps understand and approach the theological concept and spiritual dimension of demonic possession as found in the Catholic faith, and on the other hand, it investigates domestic/public, spaces, dynamics, and spheres. Indeed, The Exorcist examines social discourse and narratives from a transformative and turbulent period of American history, sheds light on the difficulties that aging populations face in societies that do not offer adequate social safety nets, and exposes the miserable circumstances that people with mental health conditions and medically uninsured individuals and families often endure. Moreover, The Exorcist also speaks directly to the colonization and neo-colonization of archaeological sites and religions.

The Exorcist has much to offer as the foci for extensive and sustained research in the humanistic disciplines. This Special Edition of Revenant aims to start a new conversation on The Exorcist according to three dimensions: 1) to go back to the roots of the concept of possession, 2) to assess the cultural impact of the book and film, and 3) to present new scholarly developments about the book and film. Potential topics include but are not limited to: 


  • possession in antiquity – literary accounts
  • possession in antiquity – anthropological, psychological, archaeological data and observations
  • antiquity as a bridge between medieval and/or modern religious views of possession
  • possession in post-classical – pre-modern times
  • the influence of ancient literature and thought on the book and movie
  • possession in the modern age
  • similarities differences between Western and non-Western possession (ancient, post-classical, and modern) – literary accounts; anthropological, psychological, archaeological data and observations
  • possession in the arts
  • possession and witches
  • mysticism and altered state of consciousness
  • psychology/psychiatry and possession
  • the influence of the book and movie(s)
  • the persistence of the popularity of the book and movie


For articles and creative pieces (such as poetry, short stories, flash fiction, videos, comics, artwork, and music) please send a 500-word abstract and a short biography by October 31st, 2021. If your abstract is accepted, the full article (maximum 7000 words, including Harvard referencing) and the full creative piece (maximum 5000 words if a written piece) will be due April 30th, 2022. Reviews of books, films, games, events, and art related to The Exorcist will be considered (800-1,000 words in length). Please send full details of the title and medium you would like to review as soon as possible. Further information, including Submission Guidelines, are available at the journal website: www.revenantjournal.com. Inquiries are welcome and, along with all submissions, should be directed to cuevae@uhd.edu and nadia.scippacercola@gmail.com.

Last updated April 15, 2021 

 

CFP Edited Collection: Chilling Adventures of Sabrina (due 10/31/2021)

Sorry to have missed posting this sooner. 


Edited Collection: Chilling Adventures of Sabrina



deadline for submissions: October 31, 2021

full name / name of organization: Cori Mathis

contact email: cemathis@lipscomb.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2021/07/22/edited-collection-chilling-adventures-of-sabrina


In the world of teen drama (or YA drama, as some prefer), there are a number of ways to represent adolescence and its attendant horrors, and we’ve seen a great deal of fantasy-based approaches; beginning with Buffy, some establish that high school is actual hell. But few series come close to Chilling Adventures of Sabrina’s devotion to that idea. The Netflix series (2018-20), based on the Archie Comics spin-off and featuring a much darker version of Sabrina Spellman, may be difficult for audiences to reconcile with ABC’s Sabrina the Teenage Witch, the previous adaptation. While one is a teen sitcom in which Sabrina’s powers get her into wacky situations, and she is supported by a talking Salem the cat, the other might feel closer to The Craft. However different this version of Greendale is from what we may be used to, it certainly offers much to explore.



We invite proposals for a forthcoming collection of essays on Chilling Adventures of Sabrina and welcome those that engage with industry perspectives, textual approaches, audience studies, and issues of critical reception.

We anticipate a broad audience for this collection, which includes scholars as well as students of the humanities at both graduate and undergraduate levels. As such, submissions from contributors at various levels and from diverse fields are encouraged. Suggested themes include but are not limited to:


  • Genre (teen/YA drama, horror, etc.)
  • Gender (masculinities, femininities, etc. as represented in the series)
  • Girlhood studies
  • Race and ethnicity (both in the series and from a production perspective)
  • Queer readings and approaches
  • Dis/ability
  • Religion (Christianity, Wicca, etc., both in reality and in the world of CAoS)
  • Historical, cultural, televisual, and other contextual frameworks
  • Intertextuality
  • Industry/production
  • Adaptation
  • Love and romance
  • Family constructions
  • Autonomy and consent
  • Class and economics
  • Freedom and power




Submission Details:

Proposals should be between 300 and 500 words (along with 3-5 key sources) and should clearly describe the author’s thesis and proposed outline of the essay. Completed essays (6000-7500 words, including references) are also welcome. In a separate document, authors should provide a short CV with contact information and relevant publications and presentations. (Please send these as attachments.)



Please note: submitted proposals/essays should not have been previously published nor currently be under consideration for publication elsewhere. An academic press is already interested in this collection.



Submission Deadlines:

Abstract Due: October 31, 2021

Notification of Acceptance: November 15, 2021

Full Essay Due: January 31, 2021



Questions and submissions to Dr. Cori Mathis, cemathis@lipscomb.edu


Last updated August 2, 2021 

 

Tuesday, November 9, 2021

CFP Journal of Dracula Studies (5/1/2022)

 Journal of Dracula Studies

Source: https://call-for-papers.sas.upenn.edu/cfp/2021/11/03/journal-of-dracula-studies

deadline for submissions: May 1, 2022

full name / name of organization: Anne DeLong/Curt Herr

contact email: Journalofdraculastudies@kutztown.edu

We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in folklore, fiction, film, popular culture, and related topics.

Submissions should be sent electronically (as an e-mail attachment in .doc or .rtf). Please indicate the title of your submission in the subject line of your e-mail.

Please follow MLA style.

Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright.

Manuscripts will be peer-reviewed independently by at least two scholars in the field.

Copyright for published articles remains with the author.

Submissions must be received no later than May 1, 2022, in order to be considered for the Fall 2021 issue.

Send electronic submissions to journalofdraculastudies@kutztown.edu

Contact: Dr. Anne DeLong or Dr. Curt Herr


Last updated November 3, 2021


CFP Vampire Studies (2022 PCA/ACA National Conference)

Note: PCA has recently shifted the conference to online AND extended the submission deadlines.


Vampire Studies (2022 PCA/ACA National Conference)

Source: https://call-for-papers.sas.upenn.edu/cfp/2021/08/30/vampire-studies-2022-pcaaca-national-conference

deadline for submissions: November 15, 2021

full name / name of organization: Popular Culture Association

contact email: pcavampires@gmail.com


The Vampire Studies Area of the PCA welcomes papers, presentations, panels, and roundtable discussions that cover all aspects of the vampire as it appears throughout global culture. This year's conference will be held April 13-16 in Seattle, WA.


This year the Vampire Community celebrates the centenary of Nosferatu: A Symphony of Horror.  We welcome papers, panel presentations, or creative pieces about this classic genre defining film.  As well as this broad theme we also welcome papers, presentations, and panels that cover any of the following:


  •       The Non-Western Vampire (i.e. Black, Asian, Latino/a/x, African)
  •       The Horror Vampire Byronic vs Hedonistic, or Horror vs Romantic
  •       Vampires at the end of the world and beyond
  •       The vampire on legacy television shows (i.e. Dark Shadows, Buffy the Vampire Slayer, Angel, Moonlight, The Vampire Diaries, The Originals)
  •       The vampire on recent television shows (i.e. What We Do In the Shadows, From Dusk Till Dawn, Castlevania)
  •       Legacy Cinematic vampires (i.e., Nosferatu, Interview with the Vampire, Near Dark, Twilight etc.)
  •       Recent Cinematic Vampires (i.e., Bit, Crucible of the Vampire: Therapy for the Vampire etc.)
  •       Vampire Cultures and Contexts (i.e., vampire RPGs or other gaming universes, fan studies, graphic novels)
  •       Vampires and the Marginalized (i.e., race, gender, sexualities, national origin)
  •       Genres such as Gothic Horror, Urban Fantasy, Romance, Steampunk, Young Adult, Erotica, Comedy
  •       Historic and contemporary vampiric locations and geographies (i.e. cemeteries, castles, cities)
  •       Vampire Studies (i.e., the vampire in the classroom, vampire scholarship)


And anything and everything in between!


To have your proposal/abstract considered, please submit your proposal/abstract of approximately 250 words at the Popular Culture Association Website. We also welcome complete panel proposals of 3-4 people.


We do not currently accept papers from fledgling/undergraduate scholars, but you can submit your proposal to the special Undergraduate Area.


If you have questions, contact us at pcavampires@gmail.com.  Also, follow us on Twitter @pca_vampires or join our Facebook groups PCA Vampire Studies and Vampire Scholars.


2022 Conference Dates and Deadlines


01Aug-21           2022 Conference Information Available on website


01-Sept-21         Submissions Open


01-Oct-21           Early Bird Registration Begins


15-Nov-21          Deadline for Paper Proposals and Grant Applications


 

Last updated September 1, 2021

Tuesday, October 19, 2021

NEPCA Monsters Area 2021 Sessions

NEPCA Monsters Area 2021

Northeast Popular Culture Association Annual Conference October 21-23, 2021

Current Draft - Updated 10/13/2021

(registration information and full schedule at https://nepca.blog/conference/)

 

THURSDAY, 10/21

SESSION #1 (3:30-4:15 PM): Monsters and the Monstrous 1

Monsters on Screen (Session Chair: Angela Whyland)

The Hillbilly Image in Television and Film - Whitney Snow, Midwestern State University

Whitney Snow, Associate Professor, specializes in the Twentieth-Century South. Her main interests are agricultural, environmental, and labor history although she does have a penchant for pop culture. After earning her Bachelor of Arts degree and Master of Arts degree from the University of Alabama in Huntsville, she received her doctorate from Mississippi State University. Her work has appeared in peer-reviewed journals ranging from The Alabama Review and The Southwestern Historical Quarterly to Textile: The Journal of Cloth and Culture and Forests, Trees and Livelihoods. She is the author of the book Cathedral Caverns (Arcadia, 2017) and co-author of both Lake Guntersville (Arcadia, 2018) and Guntersville (Arcadia, 2021). She edited The Civil War Diaries of Cassie Fennell: A Young Confederate Woman in North Alabama, 1859-1865 (University of Tennessee Press, 2020) and Alabama Bill and the Bowery (Subury, 2020). She is currently editing the World War II diaries of sailor Carlos McGowin.

Viewing the A Nightmare on Elm Street Films as Action Movies - Shane Hesketh, Bowling Green State University

Shane Hesketh graduated with his Bachelor's in Humanities with a concentration in Film Studies from Florida State University and is now pursuing his Master's in Popular Culture from Bowling Green State University. His research interests include the slasher subgenre, the James Bond series, Buffy the Vampire Slayer, and comparative studies within major film franchises. His future plans include pursuing his PhD in a Film Studies related field and teaching as a career.

“Get Away, You Idiots!” Imperial Terror in The Thing - Bridget Keown, University of Pittsburgh

Dr. Keown is a lecturer in the Gender, Sexuality, and Women Studies Program at the University of Pittsburgh, where she is also a member of the interdisciplinary Horror Studies Working Group. Her research focuses on the experience and portrayal of gendered trauma in the 20th century.

 

SESSION #2 (4:30-5:45 PM): Monsters and the Monstrous 2

Intersectionality in Horror (Panel Presentation) (Session Chair: Angela Whyland)

Disabled Slasher Villains - Kathryn Heale, Clark University

Kathryn Healey is a sophomore at Clark University planning to double major in Psychology and Philosophy. She takes great interest in the unusual and the macabre, and frequently consumes horror media. She is a strong believer in thinking critically about the media we consume and uplifting formerly silenced voices in art.

Lesbians as Villains in Horror - Shay Sotelo, Clark University

Shay Sotelo is an undergraduate student in Psychology and Women and Gender studies at Clark University who is passionate about gender, sex, and sexuality issues and how these affect mental health on an individual and societal scale. She is also enthusiastic about watching horror and thriller films and analyzing meaning through the lenses of psychology, queer studies, and gender studies.

Transgender and Gender Nonconforming Representation in Horror - Mia Swartz, Clark University

Mia Swartz is a senior at Clark University double majoring in French & Francophone Studies and Art History. She is a Co-Director and President of Choices, Clark’s on-campus peer sexual health resource that strives to provide the campus community with sexual health information, safer sex supplies, and education regarding informed choices about sex and healthy relationships. Aside from sexual health, she is passionate about art, education, and appreciating the horror genre through a critical lens.

Sexploitation and Trashy Horror - Haley Reash-Henz, Clark University

Haley Reash-Henz (they/them/theirs) is an undergraduate student at Clark University majoring in Women's and Gender Studies. They have focused their studies on reproductive healthcare, sexual liberation and politics, and queer theory. As an avid lover of all things scary, campy, and sexy, Haley delves into their favorite sources of popular culture by applying queer, feminist, anti-racist theories to examine how we shape and are shaped by the popular culture we love and hate so much.

 

SESSION #3 (6:30-7:15 PM): Monsters and the Monstrous 3

Mutants & Miscreants (Panel Presentation) (Session Chair: Michael Torregrossa)

The Color of Evil: Decoding Disney Through the Monstering and Racialization of Villains - Natalya Loughrin, Clark University

Natalya Loughrin is Swiss/American and moved to Massachusetts to attend Clark University. She is currently a Sophomore majoring in Sociology, minoring in History with plans to go into the criminological field.

It's Alive!: How War-time Horror Expressed & Exploits Inequality - Mallory Trainor, Clark University

Mallory Trainor is a junior at Clark University. She is currently majoring in International Development and Social Change. This will be her second year presenting at NEPCA.

Loosening the Flesh: Aging & Dementia in Horror - Jacqueline Morrill, Clark University

Jacqueline Morrill is a writing professor at Clark University and Worcester State University. She holds an MFA in poetry from Sarah Lawrence College; her course load focuses specifically on the horror genre of film and literature.

 

SESSION #4 (7:30-8:45 PM): Monsters and the Monstrous 4

Lovecraft and His Monsters (Session Chair: Lance Eaton)

H.P. Lovecraft and Linguistic Aesthetics - Perry Harrison, Fort Hays State University

Perry Neil Harrison is an Assistant Professor and the Director of Graduate Studies in the English Department at Fort Hays State University, where he teaches classes in linguistics, the history of the English language, and medieval literature. He received a PhD from Baylor University in 2018, and his medieval scholarship appears in venues such as Modern Philology and Neophilologus. In addition to his work in Medieval Studies, Perry also publishes on the the writings of H.P. Lovecraft and the historical practice of Anthropodermic Bibliopegy - the binding of books in human skin. His scholarship on these subjects can be found in Lovecraftian Proceedings, Notes & Queries, and the collection Flaying in the Pre-Modern World.

80 Years of ‘Co(s)mic Horror’: Lovecraft in Comics and Comic Art from the 1940s to Today - Michael Torregrossa, Independent Scholar

Michael A. Torregrossa is a graduate of the Medieval Studies program at the University of Connecticut (Storrs) and works as an adjunct instructor in English in both Rhode Island and Massachusetts. His research focuses on popular culture’s adaptation and appropriation of literary classics, including the Arthurian legend, Beowulf, Dracula, and Frankenstein. In addition, Michael is the founder of The Alliance for the Promotion of Research on the Matter of Britain and The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture; he also serves as editor for these organizations' various blogs and moderator of their discussion lists. Besides these activities, Michael is also active in the Northeast Popular Culture/American Culture Association and organizes sessions for their annual conference in the fall. Michael is currently Monsters and the Monstrous Area Chair for NEPCA, but he previously served as its Fantastic (Fantasy, Science Fiction, and Horror) Area Chair, a position he held from 2009-2018.

 

 

FRIDAY, 10/22

SESSION #1 (1-2:15 PM): Monsters and the Monstrous 5

Monsters of Beowulf: Past, Present, Future (Session Chair: Derya Agis)

The Pain that Humanizes: Lynd Ward's Images of Beowulf - Cortney Berg, City University of New York

Cortney Berg received a master’s degree in art history from Arizona State University in 2020, and is currently pursuing a PhD in art history at the City University of New York. She is focused on the visual arts of the European medieval period, and has worked on issues of sex and gender in manuscript images, the intersection between text and image, monstrous depictions, and interactions with the broader global medieval world.

Grendel: Echoes of a Pitifully Victimized Monster - Tyler Burdick, Independent Scholar

Tyler Burdick is a graduate of Fordham University and New York University’s Graduate School of Arts and Science. He has closely studied English and American Literature and creative writing, and has a deep interest in many genres of Western literature including Romanticism, crime fiction, and Victorian literature. He is currently based in New York.

Monster or Loving Mother: Grendel's Mother in Graphic Novels - J. Katharine Burton, University of South Florida

I am a third year PhD student in English Literature with primary interest areas in children’s literature, fairy tales/fantasy, with a special emphasis in adaptations of the classics in English literature in new literary forms for younger audiences. In exploring literary aspects of these adaptations, I focus on how the interaction of text and visual materials impacts meaning. I have a Master of Arts in English Literature from USF and a Bachelor’s in English Literature from the University of Oklahoma. I also hold two other Masters: a Master of Arts in Administrative Science focusing on Management Information Systems at George Washington University; and a Master of Science in National Security Strategies from the National Defense University with a certificate in Information Strategies.

Monstrosity and Gender in Children's Beowulfiana - Benjamin Hoover, California State University Long Beach

Benjamin is a third-year graduate student in English at California State University Long Beach. He has presented on the reception of medieval literature in popular culture and on theoretical approaches to chivalric identities.

 

SESSION #2 (2:30-3:45 PM): Monsters and the Monstrous 6

(Re)Making the Monster (Panel Presentation) (Session Chair: Lance)

“Perfectly Monstrous Weather”: The History of Meteorological Terror - Christopher Gilson, Northwestern State University

Dr. Christopher Gilson is Associate Professor of History at Northwestern State University of Louisiana. Dr. Gilson earned the PhD in History at Texas A&M University, completing the dissertation “Strange and Terrible Wonders: Climate Change in the Early Modern World.” An active researcher, Dr. Gilson studies the relationship between climate and history, particularly during the Little Ice Age of 1550-1850. Current research projects focus on early modern climate change and the environmental and landscape history of the American South.

Look Again: Examining the Victorian Monster in the Mirror - Katie Magana, Northwestern State University

Dr. Katie MagaƱa researches science, the supernatural, and the intersection of the two in Victorian popular literature. She has an additional interest in rediscovering lost novels that were popular in the nineteenth century and the legacy of influence that those works have on our contemporary, YA literature. She holds a PhD in English Literature from Victoria University of Wellington (New Zealand) and is an Associate Fellow with HEA of the UK. Dr. MagaƱa is an Adjunct Instructor of English at Northwestern State University and still hopeful that she will find a full-time position for the fall.

Monstrous Self-Management: Pratchett’s Count de Magpyr and the Appeal for Sympathy - Catherine Joule, Victoria University of Wellington

Dr. Catherine Joule recently graduated with her PhD in English Literature from Victoria University of Wellington (New Zealand). Her doctoral thesis, By the Strength of Their Enemies: The Virtue of the Stereotypical Antagonist in Terry Pratchett’s ‘Witches’ Novels focuses on Pratchett’s use of stereotypes in grounding the moral arguments of his ‘witches’ sequence of Discworld novels. Dr Joule’s interests include Pratchettian studies, Shakespearean studies, genre fiction, and postmodern fiction. She has taught classes on genre and literary history, and guest lectured on Shakespeare and Early Modern poetry. She is currently an independent scholar pursuing academic postings for the 2022/2023 year.

Monsters and Revenants in Southeast Texas and Louisiana Oral Folk Narratives - Lisa Abney, Northwestern State University

Dr. Lisa Abney is a Professor of English at Northwestern State University. Her research interests include oral folk narratives, literature of the American South, and sociolinguistics. She is the Principal Investigator for the Linguistic Survey of North Louisiana and served as the Director of the Louisiana Folklife Center at Northwestern State University. Along with her ongoing research related to the Linguistic Survey, her current research focuses upon narratives of world of work and in particular, women’s narratives about their work lives.

 

SESSION #3 (4-5:15 PM): Monsters and the Monstrous 7

Legends and Lore of Northeastern Monsters (Session Chair: Michael Torregrossa)

New England’s Monstrous Black Dogs - Faye Ringel, U.S. Coast Guard Academy, Professor Emerita

Faye Ringel is Professor Emerita of Humanities, U.S. Coast Guard Academy, New London CT. She is the author of New England's Gothic Literature: History and Folklore of the Supernatural (E. Mellen, 1995). Its sequel, The Gothic Literature and History of New England: Secrets of the Restless Dead will be published in November by Anthem Press. She has also published on (among other subjects) New England vampires, urban fantasy, Lovecraft, King, Tolkien, Yiddish folklore, and The Three Stooges. She is the former chair of the former Fantastic Literature area of and presented at last year’s virtual conference and many in-person NEPCA conferences. Her CD of traditional music with fiddler Bob Thurston is Hot Chestnuts: Old Songs, Endearing Charms. Before the Pestilence, she used to perform with the Klezmer band Klezmenschen, do cabaret with the Chelsea Players, and produce theater at the Norwich Arts Center in Norwich, CT.

Something Slithers in the Wilds of Watertown - Michael Bielawa, The Barnum Museum

Award-winning author and historian Michael Bielawa is well-versed in New England’s supernatural heritage. His explorations to northeast America’s most mysterious and sacred sites have resulted in numerous books and articles, including Wicked Bridgeport (which received the first-ever New England Paranormal Literary Award) as well as, Wicked New Haven. Bielawa has proudly presented at NEPCA and Necronomicon; and his essays appear in Lovecraft Proceedings 4, the Edgar Allan Poe Review, Fortean Times, FATE Magazine, and Connecticut Magazine. Mike’s research concerning the origins of the Men In Black has been highlighted in the Italian paranormal journal, XTimes. A frequent guest on radio and television, Bielawa enjoys celebrating New England’s unique character; his efforts in actively preserving the region’s history have been featured in The New York Times, the Washington Post and the Wall Street Journal. Each autumn Bielawa leads his dark history tours, Wicked Walks, for The Barnum Museum where he serves as Special Lecturer and Consultant.

Lovecraft and Local Legends - Edward Guimont, Bristol Community College

Edward Guimont is assistant professor of world history at Bristol Community College in Fall River, Massachusetts. He received his PhD in history from the University of Connecticut. His scholarship has appeared in publications including The British Journal for the History of Science, The Tufts Historical Review, Contingent, and Lovecraftian Proceedings.

 

 

SATURDAY, 10/23

SESSION #1 (9-10:15 AM): The Mouse’s Monsters #1

Monsters and the Monstrous in the Worlds of Disney 1 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Disney’s Material Monstrosities: Audio-animatronics - Carissa Baker, University of Central Florida

Carissa Baker is an Assistant Professor of Theme Park and Attraction Management at the University of Central Florida (UCF) in Orlando, FL. She received her Ph.D. in Texts and Technology from UCF. Her primary research focuses on narratives in the theme park space, drawing on her BA and MA in Literature. In addition to academic conferences, she presents at themed entertainment industry events and publishes on various aspects of theme parks. Dr. Baker has taught in China and had two stints as a visiting scholar at Breda University of Applied Sciences in the Netherlands.

The Transformation of the “Brilliant and Mad” into a Monster - Frchkoska Leni, University of St. Cyril and Methodius

Enrolled in doctoral studies at the University Ss. Cyril and Methodius in Skopje, N. Macedonia at the Department of General and Comparative Literature on a topic with a focus on the theory of power and (re) production of ideology through art form for children and youth. I graduated at the same department on the theme of ‘Psychoanalytic Aspects of Literature and Film’ and received my master’s degree in 2013 on the topic ‘Psychoanalytic elements of the fairy tale and its presence in contemporary culture’.

 

SESSION #2 (10:30-11:45): The Mouse’s Monsters #2

Monsters and the Monstrous in the Worlds of Disney 2 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

The Excessive Excessiveness of Oogie Boogie - Philip Serrato, San Diego State University

Phillip Serrato is Associate Professor of English & Comparative Literature at San Diego State University. His teaching and research interests include gothic & horror studies, Chicanx literary & cultural studies, and children's and young adult literature.

Animals/Monsters/Humans: Disney, Disability and Liminality - Rachel Milne, University of Glasgow

Rachel Milne is a graduate of Media Studies at Queen Margaret University in Edinburgh. Her research interests lie in queer theory, disability studies and children’s media, with an interdisciplinary focus on literature and film. Her undergraduate thesis centred around representations of disability and ‘othering’ in Disney animations for children, and her forthcoming article “The Beautiful and the Damned: Depictions of Scottish Childhoods in Small Deaths and Gasman” investigates the representation of working-class female childhoods in films by the Scottish director Lynne Ramsay.

Pixar’s Post-human Counter-gaze in the Toy Story films - Sutirtho Roy, The University of Calcutta

Sutirtho Roy, currently pursuing an MA degree in English Language and Literature at the University of Calcutta, has earned his Bachelor of Arts Degree with a First Class from the same institution, while also ranking first in his college. He had further passed his tenth grade with an aggregate of 96% and his twelfth with 91%. He has co-authored an anthology of poetry and written a novel, which has garnered positive reviews from several websites including Inkitt and Webnovel. Furthermore, he had won several gold and silver medals at Olympiads, secured the third rank in a state-wide essay contest regarding the ills of drug abuse and bagged a prize at a quiz contest organized by Oxford. His papers have also been selected for presentation at national and international seminars, including Brit Grad 2021, as well as renowned international journals. When not invested in canonical studies, he likes to analyse popular culture, and aims to pursue his future studies in critical animal studies and post-humanism. Currently, he freelances at several content writing firms.

 

SESSION #3 (12-1:15 PM): The Mouse’s Monsters #3

Monsters and the Monstrous in the Worlds of Disney 3 (Session Chair: Michael Torregrossa/Priscilla Hobbs)

Snow, Glass, Apples as Generic Study of the Gothic Fairytale - Sarah Madoka Currie, University of Waterloo

Sarah Madoka Currie 「恏悊ēŖ“花」is a doctoral candidate of the University of Waterloo, Canada, interested in the intersectionalities and deconstructive potential of higher education pedagogical strategies & sociocultural theorizations of psychosocial dis/ability via the North American Mad Movement. Through compassionate interactionism and leveraging of social determinants and other humanities-bent formulations of postmodern healthcare policy, Sarah envisions a professoriate that seeks to normalize everyday activism beyond the traditional dis/ability paradigm. She has spoken on critical pedagogy, critical dis/ability theory, compassionate/empathic potentialities and literary poststructuralist theory crafting in Interdisciplinary Humanities and Mosaic; as well as multilingual international conference events in Japan, France, UK, America, Canada, India and Wales.

"I'm the witch, you're the world": Disney's Witches - Chloe Carroll, University of Limerick

Throughout my BA and MA I have pursued studies of magical women, film and television, and their histories. My current PhD research involves the image of the witch throughout film and television, and how the gendered identity has existed in waves and is currently undergoing a new transformation. My MA thesis, ‘The Handmaid’s Tale from Ronald to Donald: A Feminist Analysis’, led me to further discussons on equality and the persecution of women revived from history to serve a renewed purpose for the screen. My research interests focus on the cultural value of monsters and their representations.

The Magic of Disney: Monsterized Witches & Good Fairies - Richard Fahey, University of Notre Dame

Richard Fahey recently graduated from University of Notre Dame with a PhD in English (2020) and currently works as Blog Manager & Contributor at the Medieval Institute’s Medieval Studies Research Blog, and as Managing Book Review Editor for Religion & Literature at Notre Dame. Richard specializes in Old English, Middle English, Old Norse-Icelandic, Old Saxon and Latin literature, and his research interests include medieval wonders, monsters, riddles, heroism, syncretism, allegory, medievalism and public humanities. Richard is currently working on transforming his recent dissertation into a monograph, titled "Psychomachic Monstrosity in Beowulf" and he is also putting together an edited collection on "White Wizard Male Privilege" for Lexington Books.

Two Steps Forward, One Step Back: Disney Monsters and Racism - Chelsea Criez, Ace Charter High School

Chelsea Criez currently lives in the San Francisco Bay Area with her husband and two dogs where she teaches high school English to multilingual and immigrant students. Last year, she earned a Master’s degree in English and Comparative Literature from San Jose State University and hopes to earn a PhD in English and teach higher education English composition and literature.