Sunday, April 30, 2023

CFP: “Death, Sickness, and Plagues in 19th-century British Literature” Collection (proposals by 5/1/2023)


Call for Book Chapters: “Death, Sickness, and Plagues in 19th-century British Literature”


deadline for submissions:
May 1, 2023

full name / name of organization:
Editor

contact email:
reyam.rammahi@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/02/15/call-for-book-chapters-%E2%80%9Cdeath-sickness-and-plagues-in-19th-century-british-literature



Vernon Press invites book chapter proposals for the forthcoming edited volume “Death, Sickness, and Plagues in 19th-century British Literature”, edited by Reyam Rammahi.


Much research has already been done on some of the themes of interest to this volume, especially in relation to Victorian literature and its depiction of womanhood and sickness. Still, with the continuing and growing interest in race and gender studies, more is yet to be explored. The importance of this volume lies in its focus on critical issues for today’s literary studies such as race, gender, and the apocalypse and the interconnectedness of these issues. The volume is aimed at including such voices that tackle readings of such political implications in unprecedented ways. As more studies continue to emerge that apply postcolonial and feminist theories, for instance, to the works of the nineteenth century, this collection aims to combine such readings under the specified theme to provide a connection among a number of literary works through issues of illness, race, gender, and politics. Whether in the Brontë sisters’ works or Mary Shelley’s Frankenstein, or other works, less known or less discussed, we welcome studies that include such issues as the East/West binary, race, and oppositions between warring political, religious, and social factions, to name a few. Proposals that would especially be welcomed are those that tackle race and gender topics. We welcome proposals that tackle the following topics:
  • Death, illness, and race
  • Sickness of individuals representing sickness of nations
  • Sickness and women
  • Motherhood and sickness
  • Madness, suicide, and Victorian heroines
  • Female illness and the patriarchy
  • Apocalypse
  • The plague of people and nations
  • Literary responses to plagues, epidemics, and pandemics

Please submit a one-page proposal and a short bio by May 1st, 2023 to Reyam Rammahi at reyam.rammahi@gmail.com.




Last updated February 22, 2023

CFP Versions of the Afterlife Conference (7/1/2023; online 12/7/2023)


VERSIONS OF THE AFTERLIFE (online conference)


deadline for submissions:
July 1, 2023

full name / name of organization:
Faculty of English, Adam Mickiewicz University, Poznan, Poland

contact email:
kbronkk@amu.edu.pl

source: https://call-for-papers.sas.upenn.edu/cfp/2023/04/17/versions-of-the-afterlife-online-conference



VERSIONS OF THE AFTERLIFE


7th December 2023

Online Conference



Call for Papers

Between Matthew’s description of heaven as a wedding (22 1-14) - most memorably delivered by Jesus in Martin Scorsese’s The Last Temptation of Christ - and Jean Paul Sartre’s verdict that “hell is other people,” there is not only a gap of centuries but also cultures and religions.[1] Despite their disparity, however, both conceptualizations render the fundamental human anxiety related to the weighty question of “what comes next?” They point to the necessity of envisaging the unfamiliar through the familiar, thereby taming the terrifying void.

Versions of the afterlife, therefore, are not only related to the need to imagine the hereafter in the sense of Heaven, Hell and Purgatory (for the Catholics), but also to the contemporary notions of “post-theory”, such as post-humanism and the ideas of postmodernism, post-feminism, post-colonialism and post-nationalism.

The aim of this conference organized by the Faculty of English at Adam Mickiewicz University, in Poznan, Poland – and co-hosted with the Faculty of Philosophy, AMU, and the Poznań Chapter of the Agder Academy of Social Sciences and Letters – is to explore and discuss the literal, the literary and the metaphorical meanings of the notion of “the afterlife”. We welcome papers representing the humanities in their conceptualizations and literary reifications of the religious, medical and political “hereafters”.

Literature (in English) / Art
  • Literary narratives on the hereafter across cultures and religions
  • Saints’ lives and visions
  • Theatre and the drama of/on the hereafter
  • Gothic literature and the visions of the afterlife
  • Literary visions and versions of post-apocalyptic reality
  • Artistic representations of the afterlife: Imaging the hereafter
  • The afterlives of theory: post-humanism and the ideas of postmodernism, post-feminism, etc.
  • The afterlives of ideologies, doctrines, political systems as represented in literary works (post-nationalism, post-colonialism, etc.)
  • The afterlives of literary texts and their authors: adaptations, rewritings, etc.

Medical Humanities / Social Sciences (in literary texts in English)
  • The moment of passing
  • The mystery of one’s body shutting down
  • Marketing death and the life after death
  • Out-of-body experience
  • End-of life dreams and visions versus science

Theology / Ethics (in literary texts in English)
  • Versions of the afterlife from the earliest records to contemporary times across cultures and religions
  • Ars moriendi (good endings vs bad endings)
  • Secular / atheist alternatives for life after death

300-400 word abstracts should be sent to BOTH afterlifewaconference@gmail.com and kbronkk@amu.edu.pl by 1st July 2023. Notifications of acceptance will be sent by the end of August 2023. There will be no fees for conference participation, but active and passive participants need to register in advance.




[1] Sartre, Jean Paul. Huit-Clos [Przy Drzwiach Zamknietych]. Dramaty: Muchy, Przy Drzwiach Zamkniętych, Ladacznica z Zasadami, Niekrasow, translated by Jerzy Lisowski. Warszawa: Państwowy Instytut Wydawniczy 1956.



Last updated April 27, 2023

Thursday, April 13, 2023

CFP Adapting the X-Men: Essays on the Transmedia Children of the Atom (7/1/2023)

Adapting the X-Men: Essays on the Transmedia Children of the Atom


deadline for submissions:
July 1, 2023

full name / name of organization:
John Darowski

contact email:
adaptingsuperheroes@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/04/03/adapting-the-x-men-essays-on-the-transmedia-children-of-the-atom


CFP for Adapting the X-Men: Essays on the Transmedia Children of the Atom




Deadline for submission: July 1, 2023



Full name/name of organization:

John Darowski



Publisher: McFarland & Company, Inc.



Contact email: adaptingsuperheroes@gmail.com



Call for Papers: Adapting the X-Men: Essays on the Transmedia Children of the Atom




The editor of Adapting the X-Men is seeking abstracts for essays that could be included in the upcoming collection. Essays should examine the practices of adaptation among the various Marvel comic books featuring mutants and media, including by not limited to: film, television, animation, novels, video games, podcasts, etc. Essays should focus on stories featuring issues of adaptation and influence theory, evolving cultural context, or formalists aspects of telling existing stories in new mediums. Analysis must apply critical theory, such as cultural, technical, narratological, economic, or others, to explore the form, function, and/or intersectionality of the X-Men, adaptation, and culture.



The proposed volume is intended to be scholarly but accessible in tone and approach. Essays should focus on adaptations of X-Men as a team or individual characters (i.e. Wolverine, Jean Grey, Charles Xavier, etc.), enemies (i.e. Magneto, etc.), or characters closely associated with Marvel’s mutants (i.e. Deadpool). Topics should be limited in scope, focusing on characters or story and examining the transmedia migration from one medium to another (e.g. comic books to animated series) or comparing and contrasting works within a single medium (e.g. The Dark Phoenix Saga in X-Men: The Last Stand [2006] and X-Men: Dark Phoenix [2019]). Comic book adaptations of X-Men texts created for other media as well as unproduced scripts may also be considered.



Specific dynamics/topics the editor is hoping to address include:

  • Issues of representation and the mutant metaphor (related to gender, race, sexuality, disability, etc.)
  • Continuity and aesthetics of X-Men animated series
  • Performative voice in podcasts and audiobooks
  • Convergence and divergence of comic book, film, and animation fandom communities (including fan fiction and cosplay)
  • History, ludology, and/or narratology of X-Men video games
  • Business of failed pilots and unmade franchise scripts
  • Serialization and intertextuality in the X-Men film universe
  • Transition of image to text in X-Men novels
  • Translation and localization in X-Men anime and manga
  • The art of action figures as adaptation



Those interested are asked to send an abstract (200-500 words) as well as a short bio to the editor, John Darowski, at: adaptingsuperheroes@gmail.com. The deadline for proposals is July 1, 2023. All proposals will be adjudicated by June 15, 2023, with first drafts of accepted chapters due in Fall 2023. Completed essays should be 15-20 double-spaced pages in MLA format.


Last updated April 4, 2023

Saturday, April 1, 2023

CFP Transmedia Monsters and Villains Book Series (9/15/2023)

Transmedia Monsters and Villains


deadline for submissions:
September 15, 2023

full name / name of organization:
Dr. Antonio Sanna

contact email:
isonisanna@hotmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/03/23/transmedia-monsters-and-villains


TRANSMEDIA MONSTERS AND VILLAINS


This new series aims to cover the fascinating subject of monsters and villains through an interdisciplinary perspective represented by fields as different as literary, film, religious, gender and art studies as much as philosophy and sociological and ecocritical approaches. Each volume will focus on a single figure (or group of figures) and examine it in its multiple incarnations, from their origins in myth, folklore and history as well as in a literary text, to their various adaptations in different media, including comics, graphic novels, cinema, TV, exhibitions, the visual arts, merchandise and tourist attractions. Most welcome will also be an approach to the subject that transcends genres and thus examine the single monsters and villains as they are presented in horror fiction, thriller, science fiction, etc.

We welcome both edited collections and monographs, but the essential requirements of the volumes will be their interdisciplinarity and their focus on the issues of adaptation and transmediality. Proposals may include (but are certainly not limited to) the following figures:

  • Dracula
  • Frankenstein’s creature
  • The werewolf
  • The mummy
  • Zombies
  • Witches and wizards
  • The Golem
  • Doppëlgangers
  • Hybrids, clones and experiments
  • Mad scientists
  • Serial killers
  • Cannibals
  • Aliens
  • Ghosts
  • Spirits
  • Gods, demi-gods and mythological creatures (from any mythology)
  • Dinosaurs
  • Machines, cyborgs and androids
  • Dragons
  • Underwater creatures
  • Underground creatures
  • Shapeshifters
  • Mutants, mutations and freaks
  • Tyrants, dictators and warlords (including historical figures)
  • Orcs, ogres and trolls
  • Folklore figures
  • Clowns
  • Statues, dolls, puppets and animated objects
  • Satan, demons and Biblical figures
  • Personifications of Death



We will gladly welcome any queries by prospective authors/editors for the preparation of a proposal. Please contact Dr. Antonio Sanna (isonisanna@hotmail.com).

Antonio Sanna is a "Cultore della materia" at the University of Sassari, Italy, and the co-editor of the Lexington Books series "Critical Companions to Contemporary Directors".


Last updated March 23, 2023