CFP Neo-Victorian Villain collecttion (9/15/13)

Note interest in Dracula and Victorian monster Mr. Hyde.

[UPDATE] Deadline extended for 'Neo-Victorian Villains' edited volume

full name / name of organization: 

Benjamin Poore, University of York, UK

contact email: 

benjamin.poore@york.ac.uk

The deadline for chapter proposals for this edited collection has been extended to September 15th. There has been a very strong response so far, but there are still some areas mentioned in the CFP (reproduced below) that I would very much like to see proposals on, to help address the full range of the subject and different approaches to neo-Victorianism.

As before, potential contributors are invited to submit a 250-word abstract for consideration, along with a biographical note of 50 to 100 words, to:

Dr Benjamin Poore (Department of Theatre, Film and Television, University of York) at benjamin.poore@york.ac.uk

Neo-Victorian Villains: Neo-Victorian Fiction, Adaptation and Performance

The collection will provide an innovative and wide-ranging exploration of the afterlives of the Victorian villain, in fiction, and stage and screen performance.

Subjects covered may include, but are not limited to:

• Direct transmedia adaptations - from nineteenth-century classic fiction and neo-Victorian novels, to stage, screen, console and graphic novel. 

•  Intertextuality – including allusion, pastiche and crossover fiction and film.

• Genealogies of villainy from the nineteenth century to the present day – investigating the development of such figures and types as the supervillain, the master of disguise, the adventuress, the mesmerist, the femme fatale, and the split-personality. 

• The afterlives of specific Victorian villains in modern culture, for example: Augustus Melmotte, Michael Henchard, Count Fosco, Sweeney Todd, Svengali, Dracula, Edward Hyde, Hawley Griffin, Dorian Gray, Professor Moriarty, Jack the Ripper, Lucy Graham, Helen Vaughan, Lydia Gwilt.

• Processes of production, from the commissioning, filming and design of Victorian and neo-Victorian screen adaptations, to actors’ processes and approaches to their roles, as well as those of playwrights and screenwriters.