Sorry to have missed posting this much earlier:
CFP: Slayage Conference on the Whedonverses Eight
https://call-for-papers.sas.upenn.edu/cfp/2017/05/10/cfp-slayage-conference-on-the-whedonverses-eight
CFP: Slayage Conference on the Whedonverses Eight
https://call-for-papers.sas.upenn.edu/cfp/2017/05/10/cfp-slayage-conference-on-the-whedonverses-eight
deadline for submissions:
January 8, 2018
full name / name of organization:
Whedon Studies Association
contact email:
Slayage: The Journal of Whedon Studies, the Whedon Studies Association, and conveners Stacey Abbott and Cynthia Burkhead invite proposals for the eighth biennial Slayage Conference
on the Whedonverses (SCW8). Devoted to Joss Whedon’s creative works,
SCW8 will be held on the campus of the University of North Alabama,
Florence, Alabama, June 21-24, 2018. The conference will be organized by
Local Arrangements Chair Cynthia Burkhead, along with Slayage alumns
Anissa Graham, Stephanie Graves, Jennifer Butler Keeton, and Brenna
Wardell
We welcome proposals of 200-300 words (or an abstract of a completed paper) on any aspect of Whedon’s television and web texts (Buffy the Vampire Slayer, Angel, Firefly, Dr. Horrible’s Sing-Along Blog, Dollhouse,Marvel’s Agents of S.H.I.E.L.D.); his films (Serenity, The Cabin in the Woods, Marvel’s The Avengers, Much Ado About Nothing, The Avengers: Age of Ultron, In Your Eyes); his comics (e.g. Fray; Astonishing X-Men; Runaways;Sugarshock!; Buffy the Vampire Slayer Season Eight, Nine, and Ten; Angel: After the Fall; Angel & Faith Season Nine and Ten); or any element of the work of Whedon and his collaborators. Additionally, a proposal may address paratexts, fandoms, or Whedon’s extracurricular—political and activist—activities, such as his involvement with Equality Now or the 2016 US elections. Since Florence, Alabama is one of the four cities making up the Shoals, and the area is rich in music history (the Muscle Shoals Sound, W.C. Handy) as well as Native American History, we look forward to papers addressing these subjects as they relate to the Whedonverses. Multidisciplinary approaches (literature, philosophy, political science, history, communications, film and television studies, women’s studies, religion, linguistics, music, cultural studies, art, and others) are all welcome. A proposal/abstract should demonstrate familiarity with already-published scholarship in the field, which includes dozens of books, hundreds of articles, and over a fifteen years of the blind peer-reviewed journal Slayage. Proposers may wish to consult Whedonology: An Academic Whedon Studies Bibliography, housed with Slayage at www.whedonstudies.tv.
An individual paper is strictly limited to a maximum reading time of 20 minutes, and we encourage, though do not require, self-organized panels of three presenters. Proposals for workshops, roundtables, or other types of sessions are also welcome. Submissions by graduate and undergraduate students are invited; undergraduates should provide the name, email, and phone number of a faculty member willing to consult with them (the faculty member does not need to attend). Proposals should be submitted online through the SCW8 webpage at http://www.whedonstudies.tv/scw8--2018.html and will be reviewed by program chairs Stacey Abbott, Cynthia Burkhead, and Rhonda V. Wilcox. Submissions must be received by Monday, 8 January 2018. Decisions will be made by 5 March 2018. Questions regarding proposals can be directed to Rhonda V. Wilcox at the conference email address: slayage.conference@gmail.com.
We welcome proposals of 200-300 words (or an abstract of a completed paper) on any aspect of Whedon’s television and web texts (Buffy the Vampire Slayer, Angel, Firefly, Dr. Horrible’s Sing-Along Blog, Dollhouse,Marvel’s Agents of S.H.I.E.L.D.); his films (Serenity, The Cabin in the Woods, Marvel’s The Avengers, Much Ado About Nothing, The Avengers: Age of Ultron, In Your Eyes); his comics (e.g. Fray; Astonishing X-Men; Runaways;Sugarshock!; Buffy the Vampire Slayer Season Eight, Nine, and Ten; Angel: After the Fall; Angel & Faith Season Nine and Ten); or any element of the work of Whedon and his collaborators. Additionally, a proposal may address paratexts, fandoms, or Whedon’s extracurricular—political and activist—activities, such as his involvement with Equality Now or the 2016 US elections. Since Florence, Alabama is one of the four cities making up the Shoals, and the area is rich in music history (the Muscle Shoals Sound, W.C. Handy) as well as Native American History, we look forward to papers addressing these subjects as they relate to the Whedonverses. Multidisciplinary approaches (literature, philosophy, political science, history, communications, film and television studies, women’s studies, religion, linguistics, music, cultural studies, art, and others) are all welcome. A proposal/abstract should demonstrate familiarity with already-published scholarship in the field, which includes dozens of books, hundreds of articles, and over a fifteen years of the blind peer-reviewed journal Slayage. Proposers may wish to consult Whedonology: An Academic Whedon Studies Bibliography, housed with Slayage at www.whedonstudies.tv.
An individual paper is strictly limited to a maximum reading time of 20 minutes, and we encourage, though do not require, self-organized panels of three presenters. Proposals for workshops, roundtables, or other types of sessions are also welcome. Submissions by graduate and undergraduate students are invited; undergraduates should provide the name, email, and phone number of a faculty member willing to consult with them (the faculty member does not need to attend). Proposals should be submitted online through the SCW8 webpage at http://www.whedonstudies.tv/scw8--2018.html and will be reviewed by program chairs Stacey Abbott, Cynthia Burkhead, and Rhonda V. Wilcox. Submissions must be received by Monday, 8 January 2018. Decisions will be made by 5 March 2018. Questions regarding proposals can be directed to Rhonda V. Wilcox at the conference email address: slayage.conference@gmail.com.
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